Episode Four

Episode Four with Rod and Karen Morrow

Gather The Family

Episode Four

Thanksgiving is a time for family, food, and tradition. Whether you spend every November gathering with family by blood or by choice, the annual customs we choose to carry on together create lasting bonds and cherished memories. Rod and Karen Morrow of ‘The Black Guy Who Tips’ podcast join us to share their familial rituals by reflecting on the songs that accompany them.

the Guest

Episode 4: Gather the Family with Rod and Karen Morris

Rod and Karen Morris

Hosts of 'The Black Guy Who Tips' Podcast

Music Recs: The Internet, Jill Scott, TiRon, Ayomari

Rod and Karen have been tickling each others funny bones since they were 16. Married in 2002, they started podcasting together in 2010 and have wracked up over 3,000 episodes. ‘The Black Guy Who Tips’ has been mentioned on HuffPost, The Daily Beast, The New York Times, and BET.com (just to name a few). Their success likely stems from the warmth and familiarity they bring to the table.

They’re an unstoppable team, and a fitting duo for a Thanksgiving episode. Rod sets a festive mood with his first song selection, ‘This Christmas’ by Donny Hathaway.

This episode is definitely not sponsored by Airtable, we’re just fans of functional, super-powered spreadsheets.

the Set List

Rod's song selections
Karen's song selections
Heather's song selections
Karla's song selections
Rajah's song selections

Not up for all the chit-chat? Listen to a music-only version of the podcast on your preferred streaming service:

the Episode

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What are they wearing?

In this episode, our friend is wearing a black t-shirt depicting a raven surrounded by flowers, twigs, and teeth by Murder By Death.

the Transcript

Heather (00:02.081)
Welcome to Disc Course, a podcast about music as a medium for conversation.

This is our holiday special, our first one. We have double the guests for you so you can over consume something that you won’t regret this Thanksgiving. Our guests are Rod and Karen of The Black Guy Who Tips, a daily podcast with over 3000 episodes and that’s not even counting their premium shows, which blows my mind. That is very prolific. You’ve been mentioned on HuffPost, Daily Beast, New York Times, BET.com and many more. Tell us a little bit about your show and your process.

Roderick Morrow (00:26.605)
You

Roderick Morrow (00:36.593)
It’s a comedy podcast that Karen and I started in our spare bedroom over 13, 14 years ago now. 2008, 2009, some around there. Yeah, and we’re just a husband and wife duo. talk pop culture, politics, comedy, a bunch of stuff, sports, just whatever is current. And we do it about four to five times a week. yeah, that’s basically the gist of the show.

Heather (01:06.024)
Nice. And you two have been together since you were 16, which is a long time. So I take it you’re very experienced at family gatherings and holidays and kind of bringing your own traditions together. I’m very excited to learn more about that through this music. So let’s dig in. The music starts in three, two, one.

Roderick Morrow (01:17.518)
Hahaha

Heather (01:32.167)
This is This Christmas by Donny Hathaway. It was released as a single on Atco Records in 1970. Roderick, tell us about this one.

Roderick Morrow (01:42.241)
man, this Christmas is just, I feel like it’s a black rite of passage. It’s definitely like the song that I associate most with the holiday season. And holiday season for Christmas basically starts at Thanksgiving in my family. So like, even though you ain’t getting no gifts, this is when all that music starts cranking up. And so.

Donny Hathaway’s voice is just something, it makes me feel warm and it makes me think of Christmas trees and stuff like that. And it feels like an unofficial black anthem. It’s kind of like how Stevie Wonder’s Happy Birthday is the black happy birthday one. Like that’s the one we sing. We were in a store the other day buying candles and marshals.

and this came on and all the black people in line, I could see everybody humming and dancing along to it a little bit. And so I don’t know if it’s different than White House Hoes. I can’t lie. Like it could be the same, but I know in that line, it was like we all was in the same family for about 45 seconds to a minute there. So that’s that’s what the song means for me.

Heather (02:51.965)
Nice. I love that. do, as a white person, I would say I am very familiar with this song, but I don’t think it has quite the same place in the playlist in my family’s.

Roderick Morrow (03:05.605)
I’m just glad that y’all own it. You know, to be honest, like everybody should be sharing in this joy. This is good.

Heather (03:08.777)
Yeah, it is. It’s a fantastic song. You know, the really white Christmas songs get really old. So yeah, I really appreciate it. And my grandmother played a lot of Kenny G around Christmas too, which I just, I’m not a fan of.

Rajah (03:09.633)
Hahaha

Roderick Morrow (03:18.021)
Yes. Chestnuts roasting on an open fire. It’s like, we got it. We get it, bro.

Roderick Morrow (03:27.749)
Come on through Kenny G.

Rajah (03:30.224)
Yeah.

Roderick Morrow (03:31.569)
I used to love me some Kenny. I don’t know why I just love me some Kenny G when I was a kid. I was like that white man is blowing. It’s cuz of the hair. Yes

Heather (03:36.241)
Yeah?

Rajah (03:41.844)
The hair.

Heather (03:43.57)
Alright.

Rajah (03:47.515)
I love how the vocals are, just the soulful song. And it always makes you want to sing too. I don’t know how you can’t sing it. It sounds good.

Roderick Morrow (04:00.421)
That’s facts.

Rajah (04:04.495)
like those notes. You might not be able to hit them, but it makes you want to try.

Roderick Morrow (04:07.601)
I mean, he has such a beautiful voice, one of a kind.

Heather (04:13.256)
Mm-hmm.

Rajah (04:14.609)
Mm-hmm.

Karla (04:18.313)
Yeah, and I love it again, like how soulful it is because it makes you want to like, you know, damn to it, even if it’s not Christmas.

Roderick Morrow (04:26.257)
Mm-hmm.

Heather (04:27.078)
That’s true.

Roderick Morrow (04:37.487)
Also, there’s ad-libs, they’re telling you to dance at the end. It’s like Christmas, but it’s also just like, if you played this at any concert, it’s like, yeah, this is my jam.

Rajah (04:43.283)
Thank

Rajah (05:03.1)
don’t know how to shake a hand, but it still makes sense. I don’t know how to do this, but…

Roderick Morrow (05:09.395)
Shake a hand, shake a hand, y’all.

Heather (05:09.469)
Huh.

Rajah (05:12.252)
Ha ha ha.

Heather (05:12.898)
you

Heather (05:17.098)
All right, this next song is… actually my notes are wrong. One second. This is Golden by Jill Scott. The song is right, my notes are not. All right. Go ahead, Karen, tell us about this song.

Roderick Morrow (05:25.509)
I must have said that is right.

Roderick Morrow (05:30.542)
Okay.

Roderick Morrow (05:36.507)
For me, I know when I was looking, was kind of thinking about the theme and how to pick it. And for me, I was thinking, what are songs that lift my spirits, you know, type of thing. And so for me, I was like, I really like this song because…

It’s one of those things where you go, I’m gonna live my best life. Like this had a song really make me feel, I’m gonna live my life like it’s golden. know, regardless of what’s happening, regardless of what’s going on, I have to stay focused and realize the fact that I’m still here and breathing and things like that is worth it for me. And so this is one of the songs that kind of stuck out for me.

And so like I said, Angel Scott is one of the people that I would love to see live. you know, I’ve never seen her live. I’ve seen Erica by Do I’ve seen several other people, but I would love to see her do a live show.

Rajah (06:34.554)
I can see myself cleaning greens, starting to prep the food for this. But yeah.

Roderick Morrow (06:38.065)
Yes, yes, could just have bopping in the kitchen and moving around and you know, particularly had larger families, children running around you and things like that. Everybody kind of doing their own thing. And this is one of those songs where you could play and even old people that don’t know who Jill Scott is, they could still vibe out to it. If that makes sense, you won’t hear that. What is this hippity hop y’all listening to? They’ll go playing it in the background.

Rajah (06:44.378)
Mm-hmm.

Rajah (06:48.6)
Exactly.

Rajah (06:59.674)
Mm-hmm. Mm-hmm.

Rajah (07:03.334)
Ho ho!

Roderick Morrow (07:05.935)
You ain’t got to worry about that when you play this. You know, cause she still has that like that soulful old school voice, you know, where they could be like, I like that girl and say, who is that girl? Who that singing? That’s you get more of those questions. So for me, this is a, a, a song that kind of uplifts, if that makes sense. Like it just a good vibe, a good feel chilling. You can have a great cookout to this, play some spades and pitypats and bid whiz, fry some fish.

Rajah (07:13.616)
Mm-hmm.

Roderick Morrow (07:35.877)
Fry some croaker.

Rajah (07:38.97)
Hmm hmm, yes.

Roderick Morrow (07:39.129)
Yes, with potato salad. That’s really make me, when I hear this song, that’s what it makes me think about type of thing. That family, that vibe, that closeness feel. Yeah, Jill Sky also, I feel like the song, Way, could have also gone into Thanksgiving thing, because she was singing about that food in The Way. And I always get my life when she like grits.

Rajah (07:54.054)
Mm-hmm.

Rajah (08:03.098)
That’s true.

Roderick Morrow (08:07.44)
That was on the list too, and I was like, I’ma go this route. Yeah, like now that we’re here and we’re actually doing this show, I’m thinking of other songs where I was like, you know what? These songs make me think about the food I would eat on Thanksgiving. I’m like, I should have pulled those songs too.

Rajah (08:11.141)
Yes.

Rajah (08:20.122)
Yeah.

Rajah (08:24.238)
Now it was definitely hard to just three and I was like what are other people that I picked? I didn’t want to take other people’s picks so I kind of tried to go a different way but I think it still fits.

Roderick Morrow (08:27.939)
Mm-hmm.

Roderick Morrow (08:38.703)
Yeah, I really do. I like Jill Scott cause you know, and I started really like listening to the lyrics and how they made me feel and things like that. I was like, okay, yeah. Cause when you actually sit and actually listen to what she’s saying, she was like, Hey dog, like you have to live your life. have to, they ain’t not taking your freedom. Like you have to be steadfast in these things. It’s very uplifting and it does make me feel thankful and thankfulness have been alive.

Rajah (08:47.312)
Mm-hmm.

Heather (09:04.384)
Mm-hmm.

Roderick Morrow (09:08.3)
and like that.

Heather (09:11.469)
Yep. So that was released on Beautifully Human, Words and Sounds Volume 2 on Hidden Beach Records in 2004. This song is Do I Do by Stevie Wonder. It was released on Stevie Wonder’s original Muse Aquarium on Tamla Records in 1982. Rajah, tell us about this song.

Rajah (09:29.638)
This is also a song that’s gonna be on the playlist when I’m gathering with family. It makes me think about loving someone out loud, and I feel like that’s who you should love out loud in your family. And just the feeling of love with the elements of like funk, the soul, the jazz, it really feels like my family. And that’s what I think of when I hear this song.

I can’t really like you have the different generations coming together from the kids to the older people to cousins who aren’t Cousins but their cousin and just everybody being together and loving on each other and having fun Also, dizzy go left dizzy go lefty is on the concrete on this song and I’m a sucker for Learning how songs are composed. I just yeah, this is one of the greats

Roderick Morrow (10:07.535)
Hahaha

Rajah (10:27.728)
you have to create a family function.

Roderick Morrow (10:30.573)
Yeah, everybody knows the words, you know, too. And as a wallflower, this is a song that I watch other people dance to. So I like that too. And same thing with Stevie Wonder, one of a kind voice that will never be duplicated, you know, type of type of thing. so it’s one these things where you hear it and you go, I know what that song is. Kind of, you know how, how to years ago when an artist would do something, you go, I know who that is now depend on.

Rajah (10:39.044)
Mm-hmm. Mm-hmm. Mm-hmm.

Roderick Morrow (11:00.869)
What the song is, I have to say, is it the old version or the new version or the new new version? I don’t know.

Rajah (11:06.821)
Yeah.

Heather (11:07.147)
You

Rajah (11:10.564)
And now I’m curious, like, has anybody sampled this? I’m sure somebody has.

Roderick Morrow (11:16.994)
yeah. Probably one way or another. Yeah. Blended it somewhere in the background or something where it’s like you probably have to go deep to hear it, but it’s there somewhere if that makes sense.

Rajah (11:27.162)
Mm-hmm.

Roderick Morrow (11:30.405)
Particularly with these drums and stuff.

Rajah (11:30.968)
another safe song for Simpson’s ears.

Roderick Morrow (11:34.481)
Mm-hmm.

Karla (11:44.096)
Yeah, I also feel like when you listen to Stevie Wonder, like nothing could go wrong in your life. He’s one of those artists that like automatically boosts your mood. No matter what you’re listening to, you know, it could be anything. It could be a sad song, it be a happy song, but I feel like his voice, just like the music, always just like lifts you up.

Roderick Morrow (11:49.497)
Right?

Rajah (11:49.935)
Mm-hmm.

Rajah (12:08.326)
You guys.

Roderick Morrow (12:11.329)
Agreed and he would probably be somebody who’d be cool to have to watch live too.

Heather (12:17.066)
Absolutely.

Roderick Morrow (12:17.881)
Yeah, because years ago you had to be able to be musically inclined, if that made sense. Like you had to really sing or lot of people you played multiple instruments, you know, type of thing. So I’m pretty sure it’d be really cool to watch him sit and play a piano.

Rajah (12:18.544)
Mm-hmm.

Rajah (12:24.08)
Yeah.

Rajah (12:35.101)
Is this jammed out? Yes.

Roderick Morrow (12:37.263)
Yes, and just jam out. You can do a melody, not even a concert, just whatever you feel like singing, will just sit and just listen. know, nothing but no request. How the wind makes you blow. You know this is an old school song too, because it was like a hit song and it’s five minutes long, and now every hit song has to be like two and a half minutes. Yes, because our tension span is shorter. Yeah, but it’s like.

Rajah (12:44.125)
I’m

Heather (12:45.868)
You

Heather (12:55.457)
Yeah.

Rajah (12:58.394)
Right.

Roderick Morrow (13:00.177)
Nah, it’s not attention span, it’s just money. It’s just, they figured out like, yo, you can play it more times if it’s two and a half minutes. So, Yeah, because algorithms, yeah, cause years ago you didn’t have algorithms. Yeah, you could be a number one. And everyone is not on the radio as much, so everyone’s streaming it. So how many streams you can get is how much money they can make. But man, I miss that era of like a five minute radio bop, you know? Where you have like a one minute instrumental intro and there’s not even like words yet.

Heather (13:05.934)
That’s fair.

Rajah (13:17.853)
Mm.

Roderick Morrow (13:30.083)
melody is building.

Roderick Morrow (13:35.013)
It’s like drums, alright trumpets, alright come on move in section. You know you got like four things building in before they hit their first note.

Heather (13:39.022)
You

Rajah (13:41.216)
you

Rajah (13:47.099)
It makes me think about when you’re driving. Sometimes I want the vibe to last while I’m getting to my destination without pushing up too much.

Roderick Morrow (13:53.978)
Yes!

Heather (13:55.618)
Mm-hmm.

Roderick Morrow (13:59.227)
Like I love the new music, but it’d be over fast. Yes.

Rajah (14:03.611)
Yeah.

Heather (14:16.558)
All right, this next song is Dos Gardenas by Buena Vista Social Club.

Heather (14:25.891)
It was released on Elamore de Mutiera. sorry, no. That is the wrong note again. Karla, go ahead and tell us about this one. Sorry about that.

Karla (14:29.272)
Mm-hmm.

Karla (14:33.078)
Alright.

So this is what we call in Cuba boleros and I think Buena Vista Social Club became really popular in like pop culture after they did this documentary on them in the early 2000s and well this song, Dos Gardeñas is actually, I put it in this list because my family just started celebrating Thanksgiving recently, well like you know like maybe like two, three decades ago

Because that’s when we migrated to the to the US and then when my grandma cooks or when my family cooks this is kind of like the music that plays in the background and boleros are really like ballads their love songs and Whenever I think of the holidays or I think of my family now that I don’t live in the same country as them I think of this kind of music, you know when I think of just my grandparents like They used to say that when you dance this

song you had to be able to dance it in one little square of tile you know so it always brings those those memories to mind you know that’s

Roderick Morrow (15:46.403)
What kind of food do y’all cook for Thanksgiving? it like the American food? Is it a blend of Cuban and American?

Karla (15:54.743)
Yeah, it’s a blend.

Yeah, it’s a blend. Like my grandma gets really bored of the turkey. She thinks the turkey is bland. So we usually have like two turkeys. So we have like two turkeys. One turkey is like in fricassee, which was basically in a sauce. And then the other one is like, every year they like mix it up with a different kind of seasoning. We always have yuca, which is like, I think in English it’s cassava with mojo, which is like

Roderick Morrow (16:02.735)
Yeah, I agree. Yes.

Rajah (16:02.896)
You

Rajah (16:06.817)
Yeah.

Heather (16:07.055)
You

Karla (16:27.356)
It’s kind of like a sauce that you make with oil, garlic, onions, and lemon juice. And then it just gives it like, it’s very tangy, it’s very good. And you boil the yuca and you kind of put on that. And then we have a mix. have some things that are very like American. We have like cranberry sauce. But then like our sweet potato stuff, we mix it with like white sweet potato, because we think like yellow sweet potato is not sweet enough. And then we have like flan for dessert. So it’s a kind

of like a real mix. Yeah.

Roderick Morrow (16:58.917)
This music makes me.

Heather (16:59.185)
So hold up, there is a sweeter sweet potato? I had no idea.

Rajah (17:02.528)
Right.

Karla (17:02.637)
Yeah, it’s the white one. Yeah, it’s called Boniato. It’s like a purple on the outside and it looks kind of like all weird. I’ll share it later. Yeah, but it’s very good. Yeah.

Roderick Morrow (17:02.843)
Yeah.

Heather (17:15.346)
Okay.

Nice. So that was released on Buena Vista Social Club on World Circuit Limited in 97. This next song is Sisters by Peggy Lee. It is from Selections for Urban Berlin’s White Christmas on Geffen Records, 1954. So this is from White Christmas. It’s kind of one of those cash grabs Christmas movies. It was just like built around the music, which

Roderick Morrow (17:47.633)
That’s what I’m about to say, yes, this sound like a soundtrack, yes.

Heather (17:48.207)
has its own charms. Yeah, yeah. But two of the characters in this show are sisters that perform and do like little cabaret acts. And this is one that is in the show. But this reminds me of my family because of my dad. So the lyrics in the song are caring, sharing of a little thing we were wearing.

Rajah (17:51.655)
Yeah.

Heather (18:17.486)
So anytime my sisters and I were fighting, he would start singing this song to us. That’s just what I grew up with. And I mean, it’s a cute song. So part of it later in the song, says, God help the mister, right here, that comes between me and my sister. But God help the sister who comes between me and my man. So, you know, it’s one of those cutesy older songs.

Rajah (18:26.537)
Mm-hmm.

Heather (18:47.42)
There’s a goofy callback in the movie when the sisters are trying to escape. The two gentlemen leads in the show go on stage for them in their costumes. So actually, my sister gave me a magnet of a screenshot of that scene that I keep on my fridge. It’s silly, but it’s cute, and it really reminds me of my family.

Rajah (19:11.219)
Let’s go see.

Roderick Morrow (19:13.809)
That’s adorable. It feels like an old timey, like someone’s gonna sell me a product. Yes. After the song comes, you know, like. Just be like, hey ladies, are you tired of putting all this effort in for ironing? Here’s some spray starts, brand new just for you. Spencer’s white enamel toothpaste. Yes.

Heather (19:15.876)
You

Heather (19:21.466)
Yeah.

Rajah (19:23.347)
Thank

Heather (19:24.635)
That’s fair, that’s very fair.

Karla (19:25.95)
Yeah.

Rajah (19:35.827)
I’m gonna…

Karla (19:36.238)
I guess, 100%.

Rajah (19:41.25)
now that makes me think of Fallout.

Roderick Morrow (19:43.665)
Yes!

Heather (19:49.105)
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Roderick Morrow (20:44.922)
You

Heather (20:58.759)
All right, this first song is I Want to Thank You by Alicia Myers. It was released on Back to Back on UMG Recordings in 1998. Roderick, tell us about this song.

Roderick Morrow (21:10.073)
So once again, the theme was Thanksgiving and I didn’t want to just make everything Christmas music because that’s what I think of at my Thanksgiving gatherings. But I just thought, what about songs that make me feel thankful? And Alicia Myers, I Want to Thank You is one of those songs that crosses like different genres to me because it’s somewhat of a like spiritual, like, you know, like it’s almost a gospel song.

But it’s generally like a club song, you know? Like if somebody did cocaine to this, I wouldn’t be shocked. Like I’d be like, that makes sense too. But also if somebody caught the Holy Ghost to this, also be just as like, that makes sense. you could get that to both. And what’s funny is it really came on my radar, not through the original song, which my family played for years in front of me. I don’t know why it didn’t connect then, but it was, listened to, The Fuschnikens had an album.

and they did a sample of this song and they rapped a gospel song to it. And I was like, man, this is this is an amazing song. And then my dad played the original for me another different day. And I was like, that’s where I know that song from. And I don’t know if I’ve listened to the rap version since, but this, I want to thank you, Alicia Myers. It’s just amazing, amazing track.

Rajah (22:34.285)
Yeah, this is definitely a lot of gratitude in general. And everybody’s wondering what they’re thankful for.

Roderick Morrow (22:41.713)
Yeah, she doesn’t even say what it is that would have happened. Like she just is like, it wouldn’t have happened without you, Jesus, thank you. And I’m like, I don’t even know what she’s happy for, but I’m with her. I believe that woman. You happy, I’m happy. I want it to happen for me too, Jesus. Let’s do it.

Heather (22:54.033)
Hahaha

Heather (23:07.389)
I’m gonna have to look up that rap version that’s intriguing to me.

Rajah (23:07.393)
I love the vocals.

Mm-hmm.

Roderick Morrow (23:11.267)
Yeah, yeah, Fooshniggins. don’t, don’t, that was back in when rappers, shout out to my girl Glorilla. She trying to bring it back. But that was back when every rap album had one religious track. Yes, at least one. I feel like MC Hammer came out with Pray. Yes. And everybody was like, man, we gotta get some of this Christian money. And then rappers would be rapping about all kinds of crazy stuff for the whole album. And then ended with like, here’s my Jesus song. DMX used to.

Heather (23:23.411)
Mm.

Rajah (23:23.938)
Mm-hmm.

Roderick Morrow (23:38.681)
put a prayer on every album. I feel like we losing recipes. People just stop doing the rap prayers. It’s all just the demons now. Kurt had them stomping up in the clubs. Yeah, and Kurt didn’t even have no rap on the album. He was just hip They was like, this is still a bop. We don’t care. Right.

Rajah (23:41.336)
Mm-hmm.

Rajah (23:50.73)
Yeah.

Rajah (23:54.771)
Yeah.

Roderick Morrow (24:08.197)
That’s another thing too, is like R &B and gospel had such a blend back in the day that there’s so many songs that just sound like love songs that are just like about, they’re about religion, but they’re about love. Like they’re rapping, they’re singing about God, he’s like, he’s a guy that they’re trying to like get with, you know? Trying to date. Yeah.

Rajah (24:09.005)
I didn’t mean it. Yeah.

Heather (24:28.691)
Hahaha

Karla (24:33.221)
Get cozy with Jesus.

Roderick Morrow (24:35.387)
Laughter

Heather (24:41.716)
All right, this next song coming up is Pass the Peas by the JBs. It was released on Food for Thought on Universal Records in 1972. no, that is incorrect. This is the wrong song. I am on a roll today. I’m doing so great. Okay, this is Freedom by Beyonce with Kendrick Lamar. Whose song was this?

Roderick Morrow (25:05.339)
This was my song. And the thing is, no, you’re good, baby. The thing is, a lot of these songs was prior to the election, but even before we got the results, was like, you know what, what are songs that actually make me feel good and uplift me, kind of regardless of what the outcome would be? And this song right here, I really love

Rajah (25:05.845)
here.

Heather (25:08.568)
that’s right, I’m sorry.

You

Roderick Morrow (25:34.255)
this particular song off of this album because just when you really just listen to it, it’s like, hey, dog, like, regardless of what happened, y’all can’t stop me. Y’all can’t break me. I have to keep going. You know, like, and it actually meant something to my to my spirit. Like this right here is one of one of the few songs that I play and I actually shot. I sing out loud anyway, but I would just sing out loud at my desk, you know.

And it’s one of these things where you be like, hey, like she said, I break chains all by myself. You know what I’m saying? Like, hey, a winner don’t quit on themselves. So it’s one of the things where the lyrics actually speaks to me directly type of thing. And so it’s one of the songs that actually for me, that Thanksgiving thankful type of feeling for me, and it radiates with me really deeper.

deeply like it already resonated before but now it resonates even deeper and it speaks to me even more than it did prior to the election and so for me this song actually means a lot to me.

Roderick Morrow (26:47.973)
Yeah, also like, if you play this at the gym, you could get like, go into cardiac arrest. Cause it really- Yeah, you can. I was on the treadmill one time on the elliptical and this thing hit and I was just supposed to be doing a warmup and I was like breaking my record. was like, I gotta slow down on this Beyonce, this is getting crazy. Don’t hurt yourself. Yeah, in some songs you go, if I’m trying to like,

Heather (26:49.009)
This is very powerful song.

Rajah (26:51.049)
Mm-hmm.

Heather (27:10.973)
You

Roderick Morrow (27:17.637)
run or jog or workout, you’re like, I need something a little bit middle paced. Like I do this at the height. I can’t even listen to this without like a serious face. You know what mean? Like I don’t look like I’m having a good time at party and I be looking like, you will not take my freedom from me on this treadmill America. Like it’s crazy. You gonna get this business weights. Right. Are you breaking the sweat?

Rajah (27:28.869)
Yeah, yeah.

Heather (27:37.759)
Hahaha.

Heather (27:41.971)
You

Roderick Morrow (27:47.185)
And this is the this version that I got is the one that also has Kendrick cuz I think there’s one is that one person without Kendrick? yeah. I’m not sure I don’t remember if there is okay, but but I actually look like say Kendrick Lamar is one of my favorite rappers So it’s like I just love that they blended these together and also this is a song that she act to actually perform at the BET Awards the year it came out and so I appreciate that too

And so like I said, for me personally, really, this song really resonates with me a lot. It makes me grateful and thankful and hopeful. And one the things too for me where I refuse to give up. So, you know, it’s like, okay, I understand the purpose is to take my freedom away, but you will not. And if you’re gonna have somebody rapping about freedom, Kendrick Lamar is the choice. True. Like I can’t even picture another rapper coming in and doing as good a job as he did.

Rajah (28:47.482)
And that’s a big point. And what you were saying earlier about not being able to stay calm or remain calm listening to this, it’s weird because the beats per minute, it’s like a slow song to me, but it’s the percussion, the guitar, and that staticky sound she has in the background in the call out, it makes it sound like you’re in a moment and you’re

Roderick Morrow (29:11.202)
Yes.

Roderick Morrow (29:15.013)
Yes.

Rajah (29:15.342)
you join her immediately in that moment and it’s like something historical is happening and I need to rise up with it. Mm hmm. Yes. Yes.

Roderick Morrow (29:18.662)
Yes.

Roderick Morrow (29:23.185)
Yes. And it ends the album, you know? Like, and I’ll be ready to run it back. Like, I’ll be like, let’s go to the beginning again. Yes, let’s go. Yes, 100 % agree. I made lemonade. That’s right, ma’am.

Heather (29:31.687)
Hahaha

Heather (29:39.867)
So that was released on Lemonade on Parkwood Entertainment 2016. And this is Pass the Peace by the JB’s Food for Thought Universal Records 72. Rajah, now it’s your turn.

Rajah (29:50.71)
Yes, and the Peas. I was thinking about Martin’s the Famine Feast episode where the men and women have like a cook-off competition and there’s a scene in that episode where Gina, Pam, Martin Lawrence, and Mama Payne and Millie Jackson are demonstrating Pass and the Peas. And so Pass and the Peas is a jazz term where the lead solo

in a circle of musicians take turns doing a solo while everybody around them like supports them and hypes them up. And so instead of using an instrument, the women in this scene are using their voices. And so they take turns singing, pass the fees like we used to do, and they add their own, you know, stank and stuff on it. And the joke in it is Martin as Mama Payne. And everybody in the group stops.

supporting Gina when she started singing is that everybody was hyped for everybody else as soon as Gina sang PASSAPEED like we used to do everybody looked at her like why are you here and it made me think about also the TikTok trend just giving me my money I don’t know if anybody seen that but that’s for kids who used to yes and then the one person left out it was just that vibe and just like

Roderick Morrow (31:02.309)
Yeah

Roderick Morrow (31:11.643)
Yes. Give me my money.

Rajah (31:19.852)
when you pray plates on your family and just having the moment. Also, when thinking about like the older people telling the kid to come in and show everybody a little dance, a little kick-off dance y’all do. And it’s like everybody’s taking turns doing a solo essentially and connecting with their family. So this song that you think of that there aren’t many words, but you can hear each musician take a turn playing.

Roderick Morrow (31:33.126)
Haha

Rajah (31:48.786)
and doing their solo and putting their flavor onto the beat. And I just love that community aspect of it. And that’s what Passing the Peeves is. I was like, it has some meaning. It just all together a fun time.

Roderick Morrow (32:08.599)
And since it’s Thanksgiving, it literally makes me wanna pass the peas. You know what mean? Yes.

Heather (32:08.897)
I love that. I wasn’t familiar with the term.

Rajah (32:13.064)
Yes.

Heather (32:13.656)
Yeah.

Rajah (32:20.171)
I love a good jam session.

Karla (32:20.959)
I love this, like, you know, ongoing saxophone.

Roderick Morrow (32:27.771)
Child, yes, the breakdown, yes, I’m here with you. Come on through, trombone. And this song has been sampled in so many hip hop songs. Like, it’s crazy how many, like, the JBs have so much sample history in hip hop, but like, some of these breaks and stuff that, dun, dun, dun, dun, dun, dun, dun.

Heather (32:30.382)
Mm-hmm.

Rajah (32:37.434)
Mm-hmm.

Roderick Morrow (32:47.269)
Like I’ve heard that so many different ways. So yeah, it’s a jam. Yeah. And this also made me think about years ago, how musicians actually mattered and how a lot of times people played live music. Like a lot of this old school music. No, we actually got a trombonist in here. We actually got a drum is in here. You’re not hearing anything synthesized. We’re not, we’re not talking about AI. If it’s imperfect, that’s fine. You’re going to get the imperfect on this wax.

Rajah (32:49.909)
Mm-hmm.

Rajah (33:04.457)
Yes.

Heather (33:06.66)
Mm-hmm.

Heather (33:14.532)
Mm-hmm.

Rajah (33:15.711)
Exactly.

Heather (33:17.282)
Alright, this next song is El Amor de Mi Tierra by Carlos Vives. It was released on El Amor de Mi Tierra on TridentBV in 1999. Karla, tell us about this one.

Karla (33:28.582)
I’m really giving you a run for your money, Heather, with the double Rs. Yeah. Yeah, so, yeah, I went more for the family element of the podcast today. And so this song is by Carlos Vives and it’s called El Amor de mi Tierra, which means like the love for my country or my land.

Heather (33:32.608)
Yeah. Yeah, I’m not, I’m not good at that.

Karla (33:51.589)
And this is a cumbia, which is one of the traditional dances of Colombia, which is where he’s from. And this is an album that my mom and my grandma used to play all the time when I was a kid. And like, you know, used to dance to, especially like Saturday morning, like…

forced cleaning at our house. This was a very common tune to listen to. But they also play at lot of parties because it’s like a nice song to dance to. And, you know, Latinos, we like to dance in groups and we like to dance with partners and things like that. So this is a very good, good song about that. And it’s also, I love the lyrics of the song because he’s kind of saying that, you know,

He’s gonna gift his lover like all of the love of his fields and the flowers of his land and that you he’s gonna take her to see the night sky and in the countryside and things like that so I think it’s a very beautiful song that really like captures the beauty of

Latin American nature as well because it’s such a I mean it’s three continents that span all of our 22 different cultures so it’s a very nice song. Yeah.

Roderick Morrow (35:12.901)
This cover art makes me think I’m about to read a novel where this dude is about to fall in deep love and we’re about to hear his perspective. It’s like, was just walking one day and she just appeared and it was that love at first sight, but I was scared to let her know who I really was. Yes, like that old school Fabio, yes, he got a fan going on. I like this.

Karla (35:20.408)
Yeah

Heather (35:21.817)
You

Heather (35:26.587)
You

Karla (35:32.87)
His hair is amazing. Yeah, so actually, yeah. Yeah. Yeah. So, yeah, Carlos Vives was married to this very famous actress who was the protagonist of a hit telenovela called Café con Aroma de Mujer, which is like coffee with the scent of a woman.

Rajah (35:35.034)
Yes.

Heather (35:35.097)
Yeah, I mean, it’s very Fabio. Yep.

Rajah (35:38.18)
Yes.

Roderick Morrow (35:41.061)
Just translated in English and I’m here.

Roderick Morrow (35:59.601)
Mmm.

Karla (35:59.72)
And this was during that time, so he was like, you know, the guy married to the leading lady of Colombia. yeah, this cover is, yeah. This album also has a lot of great, like other great tunes that get you in that, like, okay, I wanna ride on a horse across the Colombian countryside with this guy.

Roderick Morrow (36:08.689)
See, I was close.

Roderick Morrow (36:23.333)
Come on.

Heather (36:24.569)
You

Heather (36:31.266)
Alright, this next song is The Chaos by The Future Heads. was released on The Chaos on Dovecote Records in 2010. So this is a bit of a curveball. So I personally am childless. I have a very quiet life, but I have two sisters and one of them has five children. So especially when they were younger, like holidays and family gatherings just felt like complete chaos to me.

So, this song reminds me of, you know, being around them and I say that with, you know, it’s very jokingly, like I adore being around them, they’re wonderful. They’re actually, like all of them are very good, amazing, different kids. But, you know, it just, I can’t not think about this song when I’m hanging out with them a lot of times.

Rajah (37:26.506)
That’s a funny

Karla (37:26.841)
Heather, you’re lying on this podcast, because you are not childless. You have like six dog and cat children.

Rajah (37:36.046)
You

Heather (37:36.206)
I have, I have, how many do I have? I have three of my own, plus a roommate’s dog, plus a foster cat right now. So I only have three.

Rajah (37:39.18)
Thanks.

Heather (37:49.286)
There are five in the house, but only three are mine. Yes.

Rajah (37:49.56)
Okay.

Karla (37:49.811)
but that’s like a total of five in the house and the mannequin, six.

Rajah (37:57.49)
without a button menu key.

Heather (37:58.728)
He’s very quiet though, very easy to take care of.

Roderick Morrow (38:03.377)
most behaved in the house. This music makes me feel like I’m playing Tony Hawk Pro Skater. Yes. Like the video game. It’s got a vibe to it. What year did this come out again?

Heather (38:05.669)
Yes, yes.

Heather (38:10.565)
Yeah.

Rajah (38:11.673)
Mm-hmm.

Heather (38:16.123)
Yeah. this was 2010. It’s in the post-punk genre though, so it’s very close to like pop punk and it’s…

Roderick Morrow (38:20.687)
Okay, good.

Rajah (38:25.165)
Mm-hmm.

Roderick Morrow (38:26.076)
You know it did sound like something they would play on Malcolm in the middle

Heather (38:30.651)
Yeah, what a good show.

Rajah (38:30.815)
yes. Yes, that’s okay.

Roderick Morrow (38:36.347)
They also had three chaotic kids. Yes, they did. That kind of jives.

Heather (38:39.869)
Yes, yes, very much. Now this is a UK post-punk band that, you know, is just very, very much in that genre. I really like the post-punk genre because I kind of, grew up on punk of all varieties, I think. And it’s just very, it’s very active and very playful and I just…

There’s so much to enjoy in them.

Rajah (39:17.815)
I can see the gang or a gaggle of children having fun. Yeah. Yeah. And yelling, kids are just loud. They’re little people with big feelings. I get it.

Heather (39:24.966)
Yeah.

Karla (39:28.748)
Yeah.

Heather (39:30.714)
Yeah. Yup.

Karla (39:33.718)
Yeah.

Rajah (39:36.395)
got across the way.

Karla (39:37.485)
This makes me feel like a teenager.

Heather (39:40.437)
Ha

Karla (39:46.913)
So that five, four, three, two, one, because you have five nieces and nephews.

Roderick Morrow (39:51.633)
Hahaha!

Heather (39:51.646)
I didn’t think about that, but that does work, yeah. Yeah, and really they’re all little extroverts, almost. I think one is not, but at least three or four of them are. So it’s just a lot of running around and playing games. And hey, look at this. Also, the oldest girl who’s now driving, which blows my mind, she picked out my aunt name, and it is Tatu.

Roderick Morrow (40:11.034)
Hmm?

Heather (40:20.86)
because I have lots of tattoos and as like a toddler she just started calling me that so.

Roderick Morrow (40:23.057)
Rajah (40:27.905)
That’s sweet.

Heather (40:28.37)
very sweet. I’m very proud of that Auntie name.

Roderick Morrow (40:32.463)
Yeah, that’s going to be a cool story when she gets older. Right? Like, yeah, that’s my aunt tattoo. Yeah.

Karla (40:32.843)
Yeah, tattoo. Yeah, you’re like the cool aunt. Yeah.

Heather (40:36.103)
Yeah.

Rajah (40:36.923)
Mm-hmm.

Heather (40:39.089)
Yep, yep.

Heather (40:44.509)
All right, that is round two. We have a little production note. Disc Course is produced in partnership with Hey Awesome Girl, a full service marketing and creative studio on a mission to help female entrepreneurs build and grow companies that empower their lives, become a part of their awesome community by visiting heyawesomegirl.com slash grow. All right, let’s get into round three.

Heather (41:11.251)
This first song is Before I Let Go by Frankie Beverly and Maze. It was released on Live in New Orleans on Capitol Records in 1981. Roderick, tell us about this one.

Roderick Morrow (41:22.197)
First of all, rest in peace to Frankie Beverly. I feel like probably the most black famous man that ever have existed. And yeah, man, I mean, this is just, this makes me think of family. This is makes me think of get togethers and Thanksgiving if nothing else is just a family get together. And this song brings together generations of all stripes.

Rajah (41:25.781)
Okay.

Roderick Morrow (41:50.125)
Everyone knows the words, everybody parties to it. Like Frankie Beverly amazed before I let go of Soba Love that Beyonce did like a remix tribute. And I’ve never, that’s like the only time I’ve seen black people visibly upset with Beyonce. Like leave it alone. I was like, whoa, whoa, calm down. She trying to help. She like it too y’all. It’s like, well, I’m not going to be playing it over Frankie. It’s like, we know we, is all, everything’s okay. She never actually do that. Yeah. But,

But that’s how much of a classic it is. And I feel like it’s a tradition that’s handed down. I was three in 1981. There’s no reason I should know all the words of this and everything. But I feel like I know it. I feel like my niece knows it. I feel like my nephews are going to know it and their kids are going to know it because it’s just that much of a classic.

Yeah, it makes me think of food and family and getting together. So that’s why I had to put it on my list. Yeah, and this is one of the few songs that everybody could collectively electric slide on. And the thing about electric slide, if you’re gonna have it at a cookout or something like that, it needs to be something that’s slow enough that everybody can step to. No new fangled stuff. Nobody wants that stuff where it’s 25 steps.

Rajah (42:57.916)
Mm-hmm. Mm-hmm.

Heather (43:05.344)
you

Roderick Morrow (43:09.145)
Move to the left, move to the right, do a little spin and let’s rotate that in a circle until everybody gets tired. Make it simple.

Heather (43:17.054)
Ha ha ha.

Rajah (43:23.42)
I’m trying not to sing because I know it.

Roderick Morrow (43:24.006)
He ended

Roderick Morrow (43:29.393)
And the kids, yeah, you would normally see kids running around. Normally it’s like whenever we have cookouts, fish fries, barbecues.

Rajah (43:40.092)
Mm-hmm.

Rajah (43:43.846)
You can smell the song. Like, you gotta be grilling. Mm-hmm.

Roderick Morrow (43:46.309)
You literally can smell the song. I can smell the burgers getting burnt on the grill by your uncle who tell you that all meat is supposed to be burnt. You be like, sir, everything can’t be burned. He be like, yeah, yeah, I want that meaty and red. Well, if I’m cooking, you gonna get it done. You be like, well, I guess I’m gonna be knowing on it then, cause you just determined that everything got to be cooked to a crisp. It’s also crazy cause it’s a breakup song.

Rajah (43:53.38)
You

Rajah (44:11.927)
Yes.

Roderick Morrow (44:15.375)
You know, but it’s like, I associate this with just like black family get together, cookouts, like Thanksgiving’s holidays. But I mean, technically it’s a song about him being like, come on, baby, don’t leave, you know?

Rajah (44:33.104)
That went over my head.

Roderick Morrow (44:33.785)
Hey!

Me too, me too. I mean the title is Before I Let Go. What is he letting go of this relationship? He’s like, baby please, don’t. Before I Let Go, let me just try to beg you one last time. And we just sitting there like, Before I Right here now, y’all. Yes! Two stumps, yes. Like that’s all I cared about. I’m sorry you broke up with her, sir, but I’m going to electric slide all over your relationship. Thank you for your pain. Yes, thank you for your hurt. You made a bop.

Rajah (44:43.28)
Rajah (44:51.953)
Yes.

Heather (45:01.718)
Hahaha.

Rajah (45:02.936)
Yes, yes. I forgot, I almost had it.

Rajah (45:10.32)
Thank you for being here every time.

Roderick Morrow (45:10.479)
You shouldn’t have made it too jammy.

Roderick Morrow (45:18.513)
And I guess in that way, you know, the song does make you thankful for the people that you’re with. And, you know, if you’re with your lady, you’re like, I don’t want to be like Frankie. I don’t want to be begging like Frankie. Let me show you some appreciation before I have to let you go. I don’t want to deal with what he going through. That man sounds hurt. I real hurt, don’t he?

Rajah (45:28.307)
Hahaha!

Rajah (45:37.293)
Merci.

Roderick Morrow (45:39.107)
No.

Roderick Morrow (45:45.723)
And it’s got like that go-go underpinnings under the beat, you know, which is like a great genre, like DC music. Like it’s just, yeah, it’s just a vibe.

Rajah (45:50.254)
Mm-hmm.

Roderick Morrow (46:04.507)
And that’s another one that’s been sampled by so many hip hop people. Yes, a lot of hip hop people.

Rajah (46:08.354)
Mm-hmm.

Heather (46:13.633)
Alright, this next song is Alright by Kendrick Lamar. It was released on T’Pimp a Butterfly on Aftermath and Interscope in 2015. Karen, tell us about this one.

Roderick Morrow (46:23.663)
Yeah, for me, as y’all could tell, I was in the mood because we like did this right before the election and I was like, what am I really grateful for and what am I really thankful for? So that’s kind of why I picked some of the songs that I did. And I think for me, this song helped me get through the pandemic. Like, like this, this song helped me get through Trump’s first election. Like, so for me, I, you know, I was like, regardless of what the outcome was, I’ve

Heather (46:48.354)
Hmm.

Roderick Morrow (46:52.943)
was like I wanted songs that were uplifting, which in return makes me very grateful and thankful. So that’s kind of my connection to these songs to kind of the theme of it. And I think for this particular song, this song became a theme. And in my opinion, this song will be a theme again, because regardless of what’s happening, I know that I have to be all right. I don’t have a choice but to be all right and keep fighting and keep marching and not giving up.

Rajah (46:59.296)
Mm-hmm.

Roderick Morrow (47:22.681)
Like, so that’s, you know, for me, you have to kind of self-motivate because sometimes the world will tell you that you should just give up on things and what’s the point. But my thing is, too many people in my past have sacrificed for me to get here, for me just to give up on them. And so I’m grateful for what I have and I refuse to let anybody take what I have. And so for me, the…

this song hits a chord within my soul to make me kinda refocus and reframe where I wanna be and where I wanna go. And my thing is, I know that I don’t wanna go alone. So I’m reaching out to other people and go, hey y’all, we gonna be all right. So it’s like you have to tell yourself that and then you have to tell yourself that enough times till you believe it and then when you believe it, you can tell other people.

type of thing. And so this song is one of them songs where I could play on repeat and by the time I hear it a few times my spirit is lifted, you know, type of thing. And so for me, that’s one reason why this particular song I love. This is one of my favorite songs by him. And I really just put it on repeat. And like the Beyonce song, this is one of those songs where you don’t want to work out too. You will literally hurt yourself if you try to keep up with the pace. Like, like, like, like the beat to it.

You be like, okay, can’t, I don’t think I’m able to keep through this. This is like a four minute song. I hope I can make it through this. But it will motivate you. You’re like, yeah, we gonna be all right. You know, until your thighs by burning tomorrow because of them squats. Then you’re like, we ain’t all right right now. We are not all right. My body is saying otherwise. Yeah, I think it’s also like evocative of like the…

Rajah (48:55.264)
Yeah.

Roderick Morrow (49:11.727)
long tradition of like almost like a Negro spiritual to some extent. The fact that he was able to make this in the modern day context has always been why I think Kendrick Lamar is light years ahead of so many other people because it’s such a serious and somber thing, but it’s also like a uplifting thing. And I remember being at Trap Karaoke and this song came on.

And I mean, they could have turned the damn music off. Like everybody just was saying it, all the words and stuff. So yeah, this is definitely one of those ones.

Rajah (49:51.021)
Yeah. It makes me feel or think about a feeling after a good cry. Lots of clarity.

Heather (50:02.596)
Hmm.

Roderick Morrow (50:02.801)
Yeah, yeah, I 100 % agree.

Heather (50:07.556)
This next song is Sweet Honey Buckin’ by Beyonce and Shibuzy. It was released on Cowboy Carter. I’m Parkwood Entertainment, 2024. Rajah, tell us about this one.

Rajah (50:18.008)
I had to this song while I was trying to figure out what makes me think about family. And I really loved the song the first time I heard it when it dropped. And playing it, I don’t know what number, this part was the 15th time I heard the song more. It is the ultimate family function song. And in three parts, it walks you through the whole

day of preparing for family function. Right here Shibuzy is going to pick up the alcohol for the family and we’re in the first week part. so, Leontae now is going to walk you into thinking about, hey, what do you mean from the store? I’m thinking about my family, excited who I’m going to see, my cousins, my people I haven’t seen in a while. Usually the family functions bring people from far and wide. And so,

riding through just to put my eyes on you and just excited to see and feel that once again and connecting with your family and Just thinking about home and coming home on the highway And she repeats I’m coming home. I’m coming home and that’s like all you thinking about thinking about people fly or Have to drive or just go any kind of business to your family. That’s like we’re seeing a heart and what you’re thinking about

and then just the whole song really moves you through the day and so next we’ll have Honey and it kind of slows down a little bit and so that’s like when we’re to approach the middle of the day when people have started to show up and you need to check on the people you came with or your partner like your baby, your boo and you send them that text like hey baby you good?

Because I know you’re a sigh or you know, just being around my family can be a lot. You all right? Or you could be of age and taking a walk with your cousins outside for that walk. If you know what I mean. You come back refreshed. Yes, yes. And it’s like just slowing down and it’s about to get back up with lucky.

Roderick Morrow (52:32.599)
Mm-hmm. I know the one.

Heather (52:35.313)
Hahaha

Rajah (52:43.278)
You got your second, third plate. You starting to make to-go plates. You’ve had something to drink, a bell eggnog. And at this point, we are now having those conversations about politics, where the family has come from or been through, and reflecting on where we’re gonna head as a family. there’s a part where she speaks about they’re yanking the chain. She speaks about money.

and getting ourselves together. And so I think about resilience and having those conversations and listening to the adults and the elders in my family talk about what we should do moving forward and how I respond and kind of coming up with a game plan on how we’re going to move to the unit. And so that’s why I think this is like the ultimate family function. So I’m just walking through that day. So it’s like we’re bucket, we’re still fighting, we still keep moving forward like a mechanical bull.

That’s what I think about when I this song. It’s it’s great to dance to. Mm-hmm.

Heather (53:52.037)
I love the vibe of this section.

Roderick Morrow (53:56.433)
That’s like two songs in one.

Rajah (54:25.72)
I definitely think it was like making me think about like redlining and trying to get money for generational wealth and just so many different things on the visuals about

southern black culture, particularly with bulls, ranching, and farming. That’s that’s major in the South as far as the economy and agriculture.

Heather (54:55.804)
All right, this next song is Dos Oruguitas. Oruguitas? Thank you, Karla. By Sebastian Yatra. It’s from Encanto soundtrack on Disney Enterprises 2021. Karla, tell us about it.

Karla (55:00.795)
Oruguitas. Oruguitas. Yes, oruguitas.

Karla (55:11.805)
Yeah, so I don’t know if anybody has seen Encanto, because I think it’s not as popular as like Coco or something like that, but it’s a Pixar, Disney Pixar movie. And this song is kind of like the song towards the end where like the grandmother and Mirabelle who has no gift kind of like, you know, she’s telling the story, her story. And I love the song because it starts out as like

Rajah (55:16.666)
Yes.

Roderick Morrow (55:21.989)
Mm-hmm.

Karla (55:40.765)
the grandmother telling the story of her and the grandfather who died defending his family and throughout the movie, the Tima family is huge, right? And then in this family, everybody has a special gift that was bestowed to them after this great tragedy in their family when they were trying to escape violence. And I really love this song because, well, Anorhuga is a caterpillar.

and you know like it’s the song is saying you know like you know ayuruitas like no se aguanten mas because like you know don’t hold back like you have to keep going because you know the like butterflies are coming right so like even if you can’t if you’re like a little caterpillar right now you’re gonna turn into a butterfly

And then yeah, think it’s such a beautiful song and a song about family and forgiveness and like journey, you know, cause sometimes we don’t understand why our ancestors or the elders in our family act in a certain way and sort of like incorporating everyone in the family. Yeah.

Roderick Morrow (56:53.201)
right?

Roderick Morrow (56:57.745)
Right, this soundtrack is very beautiful. I remember when this came out, we watched it and I don’t think I, cause I think they got two versions of it, so I don’t think I’ve heard this version. have an English in it and then another language. And so for me, yeah, I think my favorite song on the soundtrack is we don’t talk about Bruno. Yeah, like that gotta be one of my personal favorites. Like out of all of the songs.

Karla (57:13.644)
Yeah.

Heather (57:20.635)
Ugh.

Karla (57:20.692)
Yeah.

Yeah.

Roderick Morrow (57:24.681)
Like I can’t explain just something about that song and just when you watch the yeah, the graphics and the way that they move. so, yes, this whole album goes.

Karla (57:28.802)
I meant limon well, yeah. Yeah. Yeah, yeah, yeah.

Rajah (57:30.962)
Mm-hmm.

Heather (57:31.432)
Mm.

Karla (57:38.676)
Yeah, I mean this album also has the guy that had his hair in the wind. Carlos Vives also worked on this. Yeah.

Roderick Morrow (57:40.177)
Yeah, I don’t, do you think?

Roderick Morrow (57:45.713)
Yes. Do you think it’s because of the pandemic that it didn’t get that much love? Cause I, I love this joint, but I also felt that feeling too. I mean, if I’m being honest, I felt like Coco didn’t get enough love too. it agreed. I don’t know. That could just be racism. Now that I’m saying it out loud could just be racism. don’t know.

Heather (57:45.885)
Ha

Rajah (57:48.037)
cool.

Heather (57:48.84)
Nice.

Karla (57:55.626)
Yeah. Yeah.

Rajah (58:00.158)
Yeah.

Karla (58:00.756)
Yeah. Yeah. But yeah, I think I’m very glad as Latin American woman that these movies are coming out and that we have more than, you know, like we have more movies worth exposing the different sides of Latin American culture. Yeah. So.

Heather (58:05.449)
could be.

Roderick Morrow (58:13.093)
Yes.

Rajah (58:14.43)
Mm-hmm.

Roderick Morrow (58:21.306)
Right.

Heather (58:27.563)
This last song is End of the Line by Traveling Wilburys. It was released as a single on Wilbury Records in 1988. So this song is just, it feels like family to me. I think because of the songs I heard growing up, I think that’s a big part. So it’s an 80s supergroup. It was Bob Dylan, George Harrison, Jeff Lin of ELO, Roy Orbison, Tom Petty. So it was a lot of…

It’s singers from a lot of groups that I grew up listening to that, you know, my dad really likes. And I think the overall message of it is just very nice. It’s like, you know, it doesn’t matter what happens, you know, as long as we’re together. And I think it’s more of a romantic song, but it feels more like familial love to me.

And this actually, when I got married, this was the father-daughter dance. This is the song I chose for it. So it’s very much a daddy’s girl song for me.

Roderick Morrow (59:30.329)
It’s adorable and you know what for years I thought the name of this song was alright that shows you how much I know cuz that like I remember I remember alright like you know that piece of cuz I was thinking I’ve heard this song before you know type of thing so that’s what I thought the song was for years and that picture that cover that’s definitely 80s big hair shades lots of mousse and hairspray for no reason

Rajah (59:30.363)
Yeah.

Heather (59:38.027)
really?

Heather (59:44.328)
Yeah.

Heather (59:50.524)
Yep. Yep.

Rajah (59:52.059)
Mm-hmm.

Heather (59:57.894)
Yep, absolutely. Also, I really like the music video they did for this too. So they recorded it before Roy Orbison died, but when they shot the video, was shortly after he passed away.

So for his section of the song, they have a rocking chair with a guitar in it that’s moving and that’s kind of the focus while they’re doing it. The whole thing is they’re all in this train car that’s kind of going down the tracks, know, kind of going down the line. I think it felt very poetic to me that they did it that way.

Rajah (01:00:28.635)
Mm-hmm.

Heather (01:00:36.847)
It’s a very feel-good song to me.

Roderick Morrow (01:00:41.489)
does, feels like National Lampoon’s vacation closing song on the credits. It does, doesn’t it? I was like, yeah, this is some movie soundtrack.

Heather (01:00:46.219)
Ha

Roderick Morrow (01:00:55.483)
I had no idea this super group ever existed. This is news to me. Yes, this like I’ve heard the song before, but I didn’t know the background. I told you, I grew up listening to just hip hop and super black shit. like, you just put me on to something. I’m gonna check this out after the show. Yeah, you started naming. I was like, them people is famous. I didn’t know they got together.

Heather (01:00:58.667)
Really? my god, they have like two albums, that’s it.

Heather (01:01:06.687)
Yeah.

Heather (01:01:11.933)
Nice! that’s so exciting for me to hear.

Heather (01:01:19.754)
Yep.

Roderick Morrow (01:01:22.309)
What? did it come up with the name?

Heather (01:01:22.763)
I mean, it’s a lot of incredibly talented people. I have no idea. They have some fun songs. Like there’s one called the Wilbury Twist, which is just really goofy. It’s like they make up a dance. It’s fun. Everyone in that group is just incredibly talented and I think it was just a fun project for them.

Roderick Morrow (01:01:36.613)
Yeah

Roderick Morrow (01:01:41.583)
Yeah.

Roderick Morrow (01:01:45.683)
The fact they didn’t name it after

Karla (01:01:45.961)
Heather, do you have like video of your wedding?

Heather (01:01:49.835)
Somewhere probably? I mean, I’m divorced so I don’t really cherish it anymore. yeah. Well, I mean, while we’re talking about my wedding, it was on Halloween and it was like the best Halloween party I ever threw. And my dad was dressed as a Jedi. It was crazy and weird, yeah. It was a lot of fun. Yeah.

Karla (01:01:53.327)
I wanna see the… But I mean the father daughter dance.

Roderick Morrow (01:01:55.761)
It doesn’t mean the same thing.

Karla (01:02:11.684)
Aww. That sounds like a great wedding. Yeah.

Roderick Morrow (01:02:11.707)
That sounds cool.

Rajah (01:02:11.928)
Rajah (01:02:15.395)
That sounds fun. Yeah.

Roderick Morrow (01:02:16.175)
Right?

Karla (01:02:18.673)
Sounds like a great wedding.

Rajah (01:02:20.285)
Mm-hmm.

Heather (01:02:20.755)
Yeah, it was pretty good. Too bad the marriage was not as good.

Rajah (01:02:26.579)
Yeah.

Karla (01:02:27.419)
Maybe it was a haunted marriage.

Heather (01:02:29.835)
Haunted.

Rajah (01:02:31.916)
Hahaha

Roderick Morrow (01:02:33.103)
You can brain to break up on your husband being the Sith. Next time, you gotta do it on Thanksgiving. That’s the key. See, it’s the holiday.

Heather (01:02:33.491)
Well, anyway…

Heather (01:02:44.099)
maybe that’s it. I picked the wrong holiday, you know.

Rajah (01:02:45.812)
Mmm.

Karla (01:02:45.947)
Yeah. Yeah.

Rajah (01:02:49.265)
Great.

Heather (01:02:49.323)
All right, well that is our show. Rajah, think I’m gonna pick you for the winner this week. You had a lot of commentary and you did a lot of research, especially with that Beyonce song. So, you win. Rod and Karen, thank you so much for joining us. Where can people find you online?

Rajah (01:02:57.066)
Yeah.

Rajah (01:03:02.346)
Thank you.

Roderick Morrow (01:03:10.209)
Just the black guy who tips comm is our website. The black guy who tips is our podcast and You know Your appropriate social media channels just search the black guy with tips if you can’t find us there put TBG WT in That would just short for the black guy with tips and yeah, thank you for having us. It’s very fun Cool concept with your podcast and we wish y’all great luck

Heather (01:03:35.82)
Well, thank you. Thank you very much. We’ll be back with another episode every week, so be sure to hit subscribe. You can follow us everywhere at @disccoursepodcast. That’s Disc Course with Two C’s. And of course, find the playlist and all the songs on Spotify and Tidal. You’ve been a wonderful audience. Good night.

Rajah (01:03:37.28)
Thank you.

Karla (01:03:38.43)
Thank you!

Sweet Honey Buckin’

Episode 4 Extra: Sweet Honey Buckin'

Sweet Honey Buckin’:

An Ode to the Black Family Function
By: Rajah Satterwhite

For our Thanksgiving episode of Disc Course, featuring the delightful Rod and Karen Morrow from The Black Guy Who Tips podcast, something clicked as I curated my playlist. While selecting songs that captured the essence of Black family gatherings, I found myself drawn to “SWEET HONEY BUCKIN'” from Beyoncé’s Cowboy Carter. What started as a simple playlist evolved into a deeper revelation: this track isn’t just a song – it’s a sonic journey through every Black family function I’ve ever attended.

Whether they are formal reunions, holiday celebrations, or impromptu weekend get-togethers, the three-part structure of “SWEET HONEY BUCKIN” mirrors the natural progression of a family function, from anticipation to celebration to wind-down. Let me walk you through how this country-trap anthem perfectly orchestrates the rhythm of typical family gatherings.

The Anticipation: SWEET

The opening section captures that mixture of excitement and preparation before family, friends, and chosen loved ones arrive. As you cycle through who you hope to see, you recall cherished memories from childhood up until the last time you were with your faves. Shaboozey steps in when the special drinks start flowing – whether it’s Uncle Ray’s moonshine, Auntie’s spiked eggnog, or the younger cousins’ mocktails.

The song’s playful energy matches the increasing volume of laughter and storytelling, the competitive trash talk over card games, and the inevitable dance breaks between rounds. It’s the soundtrack to domino slams and spades books being set, to the younger generation learning family traditions through observation and participation.

When Beyoncé sings “Say what you need from the store,” she’s tapping into a universal family gathering experience – that last-minute grocery run for forgotten ingredients because we’re not going back out once plates rest on laps and little ones are tucked in the coatroom for naps. For the ones short on time, “Riding through just to put my eyes on you” honors those who have multiple holiday stops or made the trek for love.

As the initial excitement settles into a comfortable rhythm, the song’s progression perfectly mirrors the gathering’s natural evolution.

The Gathering Builds: HONEY

As more family members arrive, the energy shifts. The HONEY section represents that sweet spot when the gathering hits its stride. These are the moments of catching up with cousins, checking in with your significant other during the festivities, and watching the house fill with chatter. The melody and rhythm in this section echoes the warming energy as everyone settles in. This is also the best time to take a walk with your cousins, IYKYK.

Just as every celebration has its peak, the energy eventually transforms into something deeper and more reflective.

The Wind-Down: BUCKIN’

The final section embodies that moment when everyone has loosened up, some literally loosening up to make room for dessert. Second and to-go plates are being made and deeper conversations emerge. When Beyoncé references “still buckin’ like a mechanical bull,” she’s speaking to family resilience and heritage, how we persist and resist while maintaining our joy. The warning to not let them “…yank your chain” feels like sage advice passed down through generations, a reminder of both struggle and strength.

While each section captures distinct moments in time, the true magic of the song lies in how these elements work together to tell our story.

Family Tradition In 3 Parts

What makes SWEET HONEY BUCKIN’ particularly resonant is how it captures not just the events of a family gathering; it also captures its emotional trajectory. Through its three-part structure, it replicates the way these celebrations naturally unfold: from anticipation to communion to reflection. The progression feels as natural as watching smoke from your uncle’s famous barbecue drift across the backyard. It’s like seeing your cousins’ kids growing taller with each passing year.

In creating this anthem, Beyoncé has tapped into something universal about family gatherings while incorporating specific cultural moments that make it especially meaningful for Black family traditions. It’s a celebration of resilience, heritage, and the joy of coming together – all set to a beat that gets everybody moving.

In weaving together country, trap, and a taste of R&B, Beyoncé hasn’t just created a song – she’s crafted a mirror that reflects our joy, our resilience, and the beautiful chaos that makes every family function uniquely ours. What parts of your family gatherings do you hear echoed in these beats?

Episode Three

Episode Three with Ash Graña

Dread Ahead

Episode Three

It’s hard not to feel a sense of dread looking at the world around us. Instant global communication makes the persistent horrors all too accessible, and our forced participation can be hard to ignore. Natural disasters, genocide, capitalism, depleting natural resources, the gradual extinction of rare and beautiful species. There’s a lot to take in. In this episode, we explore songs that help us grapple with our own dread. Our guest is Ash Graña, lead vocalist and front femme for Narsick of Chapel Hill, NC.

the Guest

Episode 3: Dread Ahead with Ash Graña

Ash Graña

Lead Vocalist and Front Femme for Narsick

Music Recs: Night! Night!, A Giant Dog

Ash describes music as “a perfect combination of magic and play.” Listening to Narsick’s debut album, it’s apparent that it also provides a means to process complicated emotions and experiences.  Independent music blog, RockDaFuqOut, said it was “akin to eavesdropping on a breakthrough therapy session.” I tend to agree. Tracks like ‘Smiling’ and ‘Narcissist’ deliver relatable snark and well-timed growls.

Ash brought the same energy to our recording session, kicking off this surprisingly therapeutic episode with ‘i’m not crying, you’re crying’ by Pinkshift.

This episode is definitely not sponsored by Songkick, we’re just fans of finding more concerts to attend.

the Set List

Ash's song selections
Heather's song selections
Karla's song selections
Rajah's song selections

Not up for all the chit-chat? Listen to a music-only version of the podcast on your preferred streaming service:

the Episode

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What are they wearing?

In this episode, our friend is wearing a black t-shirt depicting Siouxsie Sioux of Siouxsie and the Banshees.

the Transcript

Heather (00:48.188)
Welcome to Disc Course, a podcast about music as a medium for conversation. Today’s guest is Ash Graña, the lead vocalist and front femme of Narsick of Chapel Hill, North Carolina. First of all, I love a female punk vocalist and RockdaFuqout, an independent music blog, said your album was “akin to eavesdropping on a breakthrough therapy session.” Tell us about your process.

Ash G (01:14.562)
yeah, that’s a, that’s an accurate understanding. I love it. Yeah, for sure. This, the whole process of being a nurse, like in with these three amazing people has helped me work through a lot of my issues, like with past things. And it’s been kind of like a cathartic therapy session every week, you know, using music as a way to kind of channel that and kind of understand oneself is a really powerful tool.

and at the same time you have a lot of fun. So yeah, a lot of our processes stem from past experiences of course, as a lot of musicians can relate. And then we all kind of bring different things to the table. I bring my vocals and lyrics and I have a lot of history in musical theater, singing in that kind of style, really diaphragmic. But I also like doing vocal tricks like screaming and some weird

growls and warbles and stuff you know so we do a lot of a little bit of everything in our music and whatever fits or sounds good and is fun we lean into.

Heather (02:29.09)
I love that. Our theme today is dread. I think it’s something a lot of us can relate to these days. So let’s dig into it. Music starts in three, two, one.

Heather (02:48.834)
This is I’m Not Crying, You’re Crying by Pink Shift. It was released on Love Me Forever on Hopeless Records in 2022. Ash, tell us about this song.

Ash G (05:55.759)
well I really like this song. I think Pink Shift is definitely kind of turning a corner on the pop punk scene. they have a very strong female presence up front and she is loud and she is angry and just expressing herself and I love them for that. this song to me, you know, I kind of thought of Dread in a way of like how are the lyrics reflecting the writer’s feelings of Dread instead of like does the song invoke a sense of Dread?

So for this one, you can definitely tell the way she’s saying like I’m sorry for being this way She sorry, it’s really loud in my ears. She definitely Sorry So she says like repeats like I’m fine. I’m totally fine. Like I’m so sorry. It’s like she’s dreading

being exposed and being vulnerable and showing who she is and she’s expressing that. So there’s a fear of rejection clearly rooted in the foundation of the song. And I think that’s a feeling a lot of us can relate to clearly is rejection. There is also a sense of like her not feeling like she can come forward and be her whole like raw self and expose her emotions and her vulnerability without being judged or misinterpreted.

especially in the second verse, you know, there’s definitely a sense of like these things that probably have been said in the past to make her feel like she’s not safe to expose those feelings. So yeah, that’s definitely a sense of dread I can relate to as well from the past, you know, that inability to feel safe enough to come to somebody that you’re close to and be vulnerable, but instead you got to put on a happy face and just be like, I’m trying, I’m

doing it. So yeah.

Heather (07:54.784)
Nice, yeah, I feel like that is very, very relatable.

Ash G (07:58.278)
Yeah.

Heather (08:02.326)
And I do love that pop punk coming back that makes me feel happy.

Karla (08:08.37)
Yeah, and it’s such a good point about like even in the in today’s mental health environment where even though we’ve still demystified a lot of it, there’s still this idea that, you know, whatever you’re going through has to happen quickly and you have to get over it quickly and you have to move on quickly. And if you’re not moving on quickly, then like what’s wrong with you?

Ash G (08:09.839)
Me too.

Ash G (08:32.591)
Yeah, 1000%, but like we feel these emotions and these feelings because we’re supposed to.

Karla (08:38.907)
Yeah.

Heather (08:39.626)
Right? Right, this next song is Helena by My Chemical Romance. was released on Three Cheers for Sweet Revenge on Reprise Records in 2004. Raja, tell us about this song.

Rajah (08:56.027)
Yeah, I was first introduced to this song playing Sing Star with my little brother. So we definitely had a fun time singing it. And what I think is just like really relatable is just like the dread of having to deal with missing the person you want. And Helena is actually named after Gerard and Mikey’s grandmother, Elena Rush.

and about how to deal with losing somebody who was a regular part of your life and so as far as dread, it’s just the lyrics was the worst that I could say. I guess it is better if I stay here without you and just thinking about like depression and managing that and it is better if you’re here just by

Karla (09:50.022)
you

Rajah (09:54.599)
what it is you have to face the next day to do that. And just trying to figure out how to move forward, I think also, to bring on that feeling just with like getting over something. It’s like, I’m still feeling this and then processing grief. It doesn’t happen all at once. So you’ll be having a good day and then boom, it hits you again. And you’re thinking about

the memories of good times. And Sesame Street does a really good job of talking kids through grief with Elmo, checking in with how you’re losing somebody, and what just having those conversations could look like. So I think this song is just a great way of thinking about how to move with still carrying the grief. And just I love the vocals.

And a funny thing I noticed that I also saw pointed out was that in the scene in the music video where they’re carrying the hearse, one of the pallbearers is too short to reach it, but he’s not carrying it at all. Like, and you can kind of see he’s just like, you guys got it. So it’s just like, funny little things were kept in there. It wasn’t planned to have like the raining scene, but I’m so glad it rained that day.

I think it fits the mood as well.

So long, good night, having to deal with the grief and not wanting to say goodbye, but that’s just part of the process of living someone.

Ash G (11:37.977)
well put and yeah I fully agree Jardway has such a talent for depicting those feelings of longing.

Karla (11:48.966)
you

Heather (11:55.34)
Alright, next song coming up is No Surprises by Radiohead. It was released on OK Computer on XL Recordings Limited in 1997. Carla.

Karla (12:07.398)
take it away? Well, really love I think Radiohead has that ability to sort of like, like take it to another planet with the music. And I feel like at different times in my life, like as a teenager, it sounded one way now it’s on another way. But this song made its way back into my life. Last year, I was dating somebody that got the lyrics to this.

the part where it’s on, know, bruises that will heal this part on their back after a very traumatic break up that they had. I remember like I was infuriated by it because we were dating at the time and I’m like, why are you a tattoo about your ex while we’re dating? And then, know, like listening to the song in a new way because

Obviously, I wanted to know the perspective he was listening to it from. I think what’s so great about Radiohead is that they really dive into those feelings that are sort of outcast feelings, right? That feeling of like, really don’t want to go through this, but I have no choice on those. And I think No surprises is such a good song about like when you’re sort of going through it,

And then you’re just like, I don’t want anything else to happen. You know, like, want Murray, you know, Murphy’s laws to not happen and not everything that could happen. Please don’t happen. Cause it’s sort of like when you’re in that vibe, it’s like everything bad that could happen to you happens to you, right? Like, you’re having a bad day and like your tire breaks, your banking, like

Your bank account is overdrafted because you made a double payment and then your grandma dies. Everything happens together. And I feel like the song resonates with me because of that. Because of that, yeah, nothing else, please. Healing means it’s moment.

Ash G (14:07.057)
you

Heather (14:26.402)
feel like the sound of Radiohead 2 is just like one of those, even though it deals with lot of like, you know, darker themes and stuff, like it’s calming in a lot of ways for me. Which is really good when I’m feeling all the dread.

Rajah (14:43.909)
Yeah.

Ash G (14:51.301)
Yeah, that, sorry.

Karla (14:51.366)
this is a beautiful album in general. know, like, Okie Computer is such a good album. But I feel like the fun sometimes goes like, you know, like you don’t really know what to say because there’s so many others that are very good and more popular, right?

Ash G (15:17.093)
I don’t listen to radio head enough. Yeah.

Heather (15:19.978)
Yeah, same.

Ash G (15:24.951)
Or else wing. Yeah.

Karla (15:25.226)
It’s almost like a little lullaby too.

Heather (15:26.753)
You

Ash G (15:31.727)
make you feel better when there are those surprises.

Heather (15:44.482)
Alright, the next song coming up is DEAD by Madeline. It was released as a single on Lucky Bastards in 2022. So I feel like this is just my anxiety song. Like it starts out, you know, describing, you know, struggling to get out of bed, feeling all this, you know, anxiety and dread. Which, you know, some days I feel very strongly.

that a simple phrase comes to my head and it makes me feel better and this is surprisingly helpful for me. Someday I’m gonna be dead. So kind of like in an odd way puts everything into perspective like you know, in the long run none of this matters. It’s gonna be over so do what you can now. And I just love it.

Karla (16:41.094)
I’ve never heard this song, but I’m going to add it to my playlist.

Heather (16:45.13)
Right? So I found it on TikTok. It’s one of the younger artists. Like, I love it.

Rajah (16:46.203)
Same, yeah.

Ash G (16:51.49)
It’s really fun.

And I mean, nothing that’ll stop making you from taking things too seriously than embracing your own mortality, right?

Heather (17:02.346)
Right? Absolutely.

Karla (17:03.738)
Yeah.

Rajah (17:03.964)
Right.

Heather (17:07.499)
I like.

Karla (17:08.1)
we forget that we’re just mere mortals, right? Like, at any minute they could shut the lights and you were stressing about, you know, your credit score.

Ash G (17:10.969)
Mm-hmm.

Heather (17:12.128)
Yeah.

Heather (17:19.498)
Right?

Ash G (17:20.325)
Yeah.

Rajah (17:23.301)
That perspective asked me to.

Ash G (17:26.289)
It’s so true.

Heather (17:28.05)
You

Rajah (17:28.721)
Yeah.

Heather (17:30.878)
And the overall feel of it is just like very light and dainty and I love, I feel like there’s a kind of a movement within the newer, younger artists that is like very feminine but also very like, like the content is very strong. Maybe it’s, you know, a sign of where we are as a civilization, but I love it.

Karla (17:34.864)
Yeah.

Karla (17:42.672)
Yeah.

Karla (17:56.09)
I like this.

Karla (18:00.294)
It’s a vibe for sure. Yeah.

Ash G (18:09.349)
This is gonna be in my head all day and I love it.

Heather (18:13.622)
Yeah, like, it really… Yeah, like when I feel super anxious, this really like, just play it on repeat in my head and it surprisingly helps. Okay, so that is end of round one. Let’s take a moment for a message from our sponsor. We don’t have any sponsors yet, so here’s free promotion for Songkick. Songkick is my go-to app for finding concerts.

Karla (18:14.736)
This one in phenomenal. How you doing? Phenomenal. Yeah.

Heather (18:43.722)
You can connect to your music library and it imports everything and automatically notifies you of concerts in your area. It has actually completely changed how I find concerts to go to and I cannot recommend this enough to people who love music. So song kick, go check it out. Let’s go into round two.

All right, this is Hard to Touch, or Hard to Touch You, sorry, by Girlwood. It was…

Heather (19:21.346)
Sorry, it was released on I sold my soul to the devil when I was 12 on Sonoblast Records in 2019. Ash, go ahead.

Ash G (19:28.987)
So, first of all, this whole album is incredible. I adore it so much. This is one of those bands that I definitely related to very quickly and I don’t know, learned a lot about myself through Relatability with their messages. And a lot of people could too. This song is about the dread of basically physical rejection from someone you care about.

Like this line after six times, I think it’s something, you know, that’s something we all worry about being rejected. You know, again, a very vulnerable point in a human experience is being, you know, romantically physically involved with somebody. You know, you’re completely bare.

But anyway, you know, it’s there’s that fear of rejection for people and you know that can fester when things aren’t communicated if there’s a problem, you know, it’s something that everybody should talk about. So the part it hurts to touch you when you don’t want to touch me too. Again, like that fear of rejection.

And it seems like in this song, like, this shouldn’t be a recurring thing. So there’s like an underlying fear, you know, of loneliness or of like, releasing anger, I’m sure, you know, people stay in situations they’re unhappy with because they don’t feel confident to get out, you know.

But yeah, this part right here, the build is incredible. And sometimes I’ll just be angry and just turn this song on and just scream along with this. This crescendo is amazing.

Ash G (21:18.737)
and she’s just screaming, hate my body, so I hate my body over and over and over again. And this dread of not communicating, depicted in whatever previous things have led to that inability, it just becomes this growing hatred for themself. yeah, so yeah, it’s a heavy one. But yeah, it’s…

Heather (21:41.462)
Yeah.

Heather (21:46.646)
my gosh, there’s vocals.

Karla (21:49.093)
I am.

Ash G (21:49.163)
I love it. Chills.

Heather (22:08.482)
That’s fantastic. Yeah.

Rajah (22:08.563)
I felt that one.

Karla (22:09.862)
Wow, yeah.

Ash G (22:10.81)
Right? Ooh, it hits.

Karla (22:12.934)
and it hits hard, yeah, I was like damn

Heather (22:17.098)
Alright, this next song is Cranes in the Sky by Solange. It was released on a seat at the table on Columbia Records in 2016. Raja.

Karla (22:26.542)
Love the song.

Rajah (22:28.263)
Yes, this song actually made me think about gentrification the first time I heard it. Especially growing up in a city that was once seen as just a violent place to be. And I’ve never been ashamed to tell people I’m from Durham, North Carolina. I’m from the Bull City wherever I go. And people are like, my gosh, like really you? And I’m like, yeah.

crime things everywhere but also just like finding peace in my hometown with everything that’s going on in terms of gun violence, police brutality you think about all those things and just like sometimes dreading going outside because you don’t know what you’re gonna face but then you see these tall buildings being arrested all this new energy being brought and it’s just like

Who is this for? Is everybody benefiting from this? And so the song really is about that because Solange was writing the song after breaking up with the father of her child. And she was writing it, I think in Miami, and there was construction. And she was trying to find keys to get in that space of creating. But also, all this construction is going on. it’s like, I don’t want to see what’s going on around in the world.

when I’m trying to deal with what’s going on in me. And so I think I could just relate to that. Going through a lot of stuff in my hometown, but seeing all this growth and this new energy coming, it’s just like that war of trying to like find peace where your home is, but also seeing the world still moving around you. And people are happy and excited to bring their business to town, but you know, there are kids in your neighborhood going to school and they can’t eat.

because they don’t have much money so it’s just like how can we figure this all out while also dealing with personal things so that’s why I was just thinking this song really fit with that so I’m just thinking about all those things all the time

Ash G (24:49.317)
I think your note on this growth, who is this growth for, that when you said that, that’s a very powerful way to say that. Yeah.

Karla (25:03.866)
Yeah.

Rajah (25:12.487)
I knew I would get emotional this episode when I saw the scene. So if you see me pause, it’s me trying not to cry.

Heather (25:19.539)
Aww, Bresa!

Ash G (25:20.777)
I started tearing up while you were talking like you’re not gonna be alone, okay?

Rajah (25:24.463)
of this bike.

Heather (25:28.33)
Is this our therapy session episode?

Ash G (25:30.383)
Yes. Nursing is all about therapy, okay?

Rajah (25:30.905)
I think so. And I’m no tissue.

Karla (25:31.332)
Wow.

Yeah.

Heather (25:35.394)
you

Ash G (25:47.249)
So pretty.

Karla (26:05.638)
Ash G (26:06.523)
There’s again that notion of like dread is present, obviously, but the tune is very like fun and flowy.

Karla (26:09.176)
aside Beyonce.

you

Heather (26:14.466)
Mm.

Karla (26:23.11)
you’re listening to me, Beyonce, please don’t sacrifice me.

Heather (26:23.169)
I think.

Heather (26:31.778)
Alright, next up we have Build God, Then We’ll Talk by Panic at the Disco. It was released on A Fever You Can’t Sweat Out on Fueled by Ramen, LLC, 2005. Carla.

Rajah (26:32.647)
Please.

Karla (26:42.662)
Yeah, so this song is about like, I think, Renegade says this girl is very good about telling you a story. And this song, like the chorus is actually a play on my favorite things from The Sound of Music. But this song is about a virgin who sleeps with a lawyer for money. And then his wife finds out and she’s also staying with him for money. But I think it’s like, a very

good story about sometimes we have to do stuff that we don’t want to do. And especially women are put in situations where in order to survive, have to do these kinds of things that are very horrible. the fact that like men also do this to them is such a like a big resonating theme in the song. Yeah. Yeah. And so

And then so yeah, so like this proposition for the virgin, yes.

strictly business, as he said to the Mrs. Sounds like the exploitation of women and the use of women as sexual objects. that if you have that power move on you, then you can utilize it to sort of manipulate the situation in that way. And yeah, I didn’t.

get that from this song when I was a teenager and I was really into this album. But as an adult, it hits different, you know?

Ash G (28:25.541)
The caricature of intimacy

Karla (28:27.174)
And this chorus is just beautiful, which is the sound of music part.

Heather (28:38.782)
I love that line too, like a caricature of intimacy. Like, it’s not intimacy, it’s just a cartoonish representation of it.

Karla (28:39.194)
Did I miss you, Tony?

Karla (28:46.246)
Yeah.

Karla (28:51.167)
Yeah, I the sheep from before. I know you’re more of your least favorite thing. So instead of your favorite things, it’s your least favorite things. Yeah.

Karla (29:09.424)
Yeah.

Karla (29:12.902)
And then I also really like about Panic! At The Disco, they have this sort of like, especially this album, this like circus music almost, almost like that gypsy music, you know, that they introduce into their music. And then this album, all of the artwork for me was just so nice and just really good. think like even their videos.

Ash G (29:12.93)
I haven’t heard the…

Heather (29:19.97)
Mm.

Rajah (29:20.059)
Okay.

Karla (29:39.814)
Thank

Heather (29:51.906)
Yeah, I feel like there’s something very theatrical about them as a whole, and I really love that. It’s like the… I was a theater kid too. I just loved the big, over-the-top stuff.

Karla (30:03.662)
Yeah, yeah, and they’re very graphic, I feel.

Ash G (30:03.79)
same.

Rajah (30:04.071)
Mm-hmm.

Ash G (30:07.025)
you

Heather (30:07.22)
Yeah. All right. This next song is Nervous System by Candy Carpenter. It was released on Demonology Part 1 on A-Frame Records in 2023. Now this is another TikTok find. TikTok is like my new number one place to find music. It’s ridiculous. Right? So…

Ash G (30:27.005)
Don’t tell song kick.

Rajah (30:27.025)
Thanks.

Heather (30:36.162)
Candy Carpenter has a lot of songs around like mental health and like her own experience. think she, I mean she has anxiety and I think she might be autistic too. I can’t remember at the moment. But this song just feels perfect to me. Like it’s this, I have a nervous system. I’m nervous all the time. There are a lot of lines in it.

Karla (30:51.75)
Yeah.

Karla (31:00.56)
Yes.

Heather (31:04.396)
but like turning into your dad, which you know, might be a concern I have. So it’s just, I feel like it encompasses that whole.

Karla (31:11.622)
Yeah.

Heather (31:23.874)
You know, well, just living with anxiety on a low level, I think. There are just a lot of great lines in it too. I think her humor is very dry in a way that I respond to.

Heather (31:43.532)
So yeah, this, I wonder if Sigmund Furet turned into his dad too.

Karla (31:48.518)
Honestly, I also have this dread, to be honest, like I’m terrified of turning into my parents. And like when you become a parent, I actually had this conversation yesterday with my therapist, like one of my biggest fears about being a parent is being my parents, you know?

Rajah (31:51.431)
Yeah.

Ash G (31:58.577)
Well…

Heather (31:59.125)
Yep, yep.

Heather (32:09.954)
Mm.

Ash G (32:10.131)
yeah.

Heather (32:13.142)
Yep, my sister. Yeah.

Rajah (32:13.276)
I’ve accepted it. I’m like my mom. I’ve said thanks to people and I was like, that didn’t come from me, but it worked in that moment. So I’ve accepted it.

Ash G (32:17.859)
I’m not.

Heather (32:19.2)
You

Ash G (32:23.597)
No.

Karla (32:25.721)
Yeah

Heather (32:27.81)
I’m definitely a lot like both of my parents, but growing up I always thought it was more my dad. I’ve realized that his neuroses are just more obvious, and I’m very much my mom as well. But my sister and I, anytime that we do something that is just a classic thing my dad would do, we’d call each other Mini Mike, because his name is Mike. He’s like, okay, Mini Mike. I’m like, yeah, okay.

Karla (32:50.661)
Yes.

Karla (32:56.354)
I’m not like a lot like my parents, but there are certain times that I’m like, that was like totally my mom, know, like I’ll be like, I just did like, yeah, but like, more like mannerisms and things like, you know, like my mom does this a lot to like her nails and I do that too, like all the time and I’m like,

Heather (33:07.5)
Yeah.

Karla (33:20.688)
Yeah.

Heather (33:24.566)
That is round two. Let’s do a quick production note. This course is produced in partnership with Hey Awesome Girl, a full service marketing and creative studio on a mission to help female entrepreneurs build and grow companies that empower their lives. Become a part of their awesome community by visiting heyawesomegirl.com slash grow. All right, let’s start round three.

This is Touch Me Again by Petrel Girls, released on Talk of Violence on Bomber Music in 2016. Ash, I love this song. I’m so glad you picked it. Tell us about it.

Ash G (34:04.549)
Yeah, so this song called Touch Me Again, it is so good. Petrel Girls, all their, yeah, I would say like the majority of their music is like this, just like intense, fast, know, very against the grain as far as like expectations of women go based on society. And that line, it’s my body and my choice.

You know, I think…

A lot of us, most of us can relate to this dread of losing autonomy in many cases, from obvious horrible things to some random stranger putting his hand on the small of your back. Those are the kind of things that I dread daily. And it creates anxiety, for sure. And you just want to scream at people, like, don’t.

fucking touch me. I last night there was an incident where I witnessed a guy touching somebody and I was like, bro, like no and then a guy touched me and I was like, how is this still a thing? It just blows my mind. So yeah, that dread of just going somewhere and being just invaded.

That’s a daily dread that most people can relate to.

Ash G (35:38.127)
and the end of the song slaps again. The outro, my gosh. Just rage, rage, rage, rage.

Heather (35:50.08)
I remember I first learned the petrol girls because you shared something on social media. Is that immediately looking this up? Thank you.

Karla (35:59.024)
Mm.

Ash G (36:00.358)
I’m glad. I love giving a song rec.

Karla (36:08.505)
This playlist is popping.

Rajah (36:11.225)
It is,

Heather (36:12.46)
Mm-hmm.

Rajah (36:16.111)
And thinking about personal space, like when we’re kids, we’re always thinking about, down in my bubble, why does that change when we get older? Why do we, where do we forget that? Everybody, down in my bubble, down in my face, where did that go?

Heather (36:27.106)
I

Heather (36:32.128)
Yeah, it becomes be polite.

Ash G (36:35.205)
Yeah, just be respectful. Don’t touch people. Why is that hard? All this part.

Karla (36:39.079)
Yeah. What I think is interesting is the thought of like if somebody does touch you purposely, like why do you have to be polite about somebody invading your space?

Rajah (36:41.265)
Right.

Ash G (36:48.985)
Yes! Just go scream that song.

Heather (36:49.623)
Yes.

Rajah (36:50.533)
Exactly.

Karla (36:51.11)
you know.

Heather (36:53.694)
Mm-hmm. right, this is No Problem by Chance the Rapper featuring 2 Chainz and Lil Wayne. It was released on Coloring Book in 2016. was actually a self-released mixtape and was the first streaming-only album to win a Grammy, which is pretty cool. Raja, tell us about this.

Rajah (37:18.895)
Yeah, I love the song. I mean, it’s my me, of course. But if I’m dread, it makes me think about when you’re preparing to tell somebody, you got me up to like, and it’s a happy warning song, I think, but it’s very serious. It’s like, I don’t think you want these problems with me is

you do something that already expressed clear boundaries around and it’s just like let’s not try it. I have these credentials, have community, have a network. Let’s just not try it because you don’t need any additional problems.

Rajah (38:06.311)
And I feel the song. I feel the song. As a person who’s really reserved and quiet, this is how I move in the world. I try to express clear boundaries upfront so you don’t have to get here.

Heather (38:23.048)
this fits you very well Raja. You’re like very sunny disposition, but you know we’ll be forward if you need to. It’s a cool fit.

Ash G (38:38.885)
I love Chansew Rapper.

Rajah (38:44.165)
and it’s just a good tongue straight forward repeat it till you can get it get the message

Ash G (38:50.405)
Mm-hmm.

Rajah (38:56.241)
and of course it shouts out Nurse Carolina. I try to smite that in there every time. Something about Nurse Carolina.

Ash G (39:03.406)
I love that.

Rajah (39:09.659)
That’s my personal challenge to put North Carolina in here somewhere every episode.

Heather (39:13.6)
Nice, I like that. I was unaware. I like that a lot.

Karla (39:19.43)
Thanks.

Heather (39:36.738)
I feel like there are lot of layers to the music in here. Yeah.

Ash G (39:39.813)
love the message of this.

Karla (39:44.358)
and

Karla (39:50.434)
I’m be saying this, I’m phenomenal and I’m gonna be dead. You don’t want no problem with me? Because I’m gonna be dead.

Ash G (39:58.24)
Keep walking.

Rajah (40:01.807)
I love everyone.

Rajah (40:12.775)
And this song also reminds me of Sarah Morelli’s song where she was like, I’m not going to write you a love song because this also talks about like having to deal with like record labels and execs and the corporate side of the music industry. So it’s my one of my favorite like sub genres is people talking shit back to like that side of the music industry of like, we’re not going to do things on your terms because it’s not working.

Heather (40:21.346)
you

Rajah (40:43.383)
and relax your things out.

Heather (41:06.924)
So is Chance the Rapper from North Carolina? Or is someone else? Is Chance the Rapper from North Carolina? Why did they drop North, okay. Why did they mention North Carolina?

Rajah (41:11.111)
I’m sorry, I couldn’t hear you.

Rajah (41:16.709)
I don’t know, Chicago I think? I think it’s Chicago.

Rajah (41:22.599)
He was saying Petey Pablo with his shirt around like a helicopter.

Heather (41:26.373)
okay, I see.

Rajah (41:31.619)
It’s like, what is it, like six degrees of North Carolina?

Heather (41:35.914)
Yeah.

Rajah (41:42.521)
in P.D. Pablo, the song that he’s referencing that beats North Carolina.

Heather (41:47.66)
Gotcha.

Rajah (41:49.893)
I think that was a song that was used to represent North Carolina in the DNC roll call.

Heather (41:55.874)
Mmm.

Karla (41:58.374)
Hmm.

Heather (41:58.602)
Okay. This next song is I’m Not Okay I Promise by My Chemical Romance. I have lost my notes on this. Go ahead Carla.

Karla (42:09.066)
Yeah, Yeah, sorry, I was a little loud. couldn’t couldn’t hear. was leaper lips greeting again. OK, well, I feel like my chemical romance is always a great like angsty situation. I really loved the song when I was like maybe like 1415 because I feel like I was. Very misunderstood as a teenager.

You know, and I was like always not necessarily fitting into the norms of my family or like, you know, I had just moved to the States five years before. Like I was still really finding like that place where I fit and where I could be like unique. And so I thought I really had to conform to one way of being to be accepted, at school or my house or whatever. And I always really liked this farm because

Well, first of all, because I was really into Mikey Way and he shows up a lot in this video. And second, because I feel like, don’t know, I really like that song, you like you say these words and don’t know what they mean and it does. I don’t know, I feel like like the song really spoke to me as a kid. And as an adult, there are so many times where I felt like I’m not OK.

Ash G (43:31.824)
Same.

Karla (43:37.604)
You know, and then maybe it’s like the antidote to like when people ask you, how you doing? You say, I’m fine. Or I’m good. You know, like maybe we could start saying how we actually feel, you know.

Yeah, I made this my email too for some reason. I don’t know why, but you know, like I’m not okay and like my birthday.

Ash G (44:03.887)
I love it.

Karla (44:05.84)
Yeah.

Ash G (44:09.297)
All this build.

Karla (44:17.231)
And then this is fine.

Karla (44:25.848)
Yeah, it’s so perfect.

Ash G (44:28.524)
god, that sends me back to being an angsty teen for sure.

Karla (44:34.672)
Yeah.

Karla (44:42.532)
And it kind of goes back to like the first song we listened to, right? So it’s like, yeah.

Ash G (44:45.969)
Mm-hmm. Yeah, the whole notion of like not feeling like you can be vulnerable and upfront about how you’re feeling. Yeah.

Rajah (44:56.817)
Mm-hmm.

Karla (44:57.102)
Yeah, yeah, totally. That was a great like, yeah. I forgot how great the song was. Like, now that we’re listening to it.

Ash G (45:01.125)
Dreadjection.

Rajah (45:04.309)
I really like this playlist.

Heather (45:10.914)
All right, this last song is Everything’s Fine, Nuke Song by Ro Capara. It was released on I Hope Hell Isn’t Real on Epitaph in 2023. So this actually, this is three for three, this is another TikTok song. So it really, the whole song just describes kind of our whole society kind of crumbling.

and people just going on with their lives. Like it feels very relevant. Some of the lines…

Heather (45:46.178)
It’s the rich people going off to space to live their lives and leaving the rest of us here to live in the aftermath of atomic bombs. And it’s a very nice vibe. You know, very singer-songwriter. Yeah.

Karla (45:55.526)
Yeah.

Heather (46:07.838)
It talks about taking your pills while the world falls apart.

Karla (46:27.494)
I’m having mommy issues.

Karla (46:36.656)
my god.

Okay.

Heather (46:40.96)
Yep.

Ash G (46:41.743)
my god.

Karla (46:43.6)
you

Not the cat!

Karla (46:52.718)
the kids and then it said cat okay I was like not the cat

Rajah (46:54.075)
The K.

Heather (46:54.336)
Yeah. Yeah, I watched the nukes explode and kill the neighbor’s kids. Yeah, yeah. We don’t care about the kids.

Ash G (46:56.193)
the kids are okay, not the cat. Not the cat! No, yeah.

Karla (47:03.238)
Are my kids debatable like cats? Not like cats.

Rajah (47:03.271)
You

Ash G (47:06.969)
Out of the question.

Karla (47:09.902)
Not the tags.

Ash G (47:11.011)
I’m on that team too.

Heather (47:12.823)
Yeah.

Rajah (47:12.933)
The views and thoughts are expressed here and not in the video.

Karla (47:15.662)
No offense to kids, but…

Ash G (47:18.149)
That was a beautiful song. I’ve never heard that voice before, but dang.

Heather (47:19.033)
You

Karla (47:19.791)
Yeah.

Heather (47:24.258)
Yeah, I really like his music.

Karla (47:26.704)
Yeah.

Heather (47:28.119)
So that’s it that is our playlist Who should be the winner this week? Ash, I think I’m gonna give it to you. I feel like you had some good analysis You put a lot of thought into your choices. Yes You win for your therapy

Ash G (47:38.703)
I’m good at therapy! Yes!

Rajah (47:41.43)
You

Karla (47:45.956)
to say this episode was very therapeutic. was like group therapy. Yeah.

Ash G (47:49.785)
I feel closer to all three of you right now. We should meet for wine and do this again.

Rajah (47:49.861)
Mm-hmm. Mm-hmm.

Heather (47:50.044)
Excellent. Yeah.

Yes!

Karla (47:56.346)
Yeah, I’ll fly into North Carolina.

Ash G (48:00.503)
Yes, please do.

Heather (48:00.628)
Excellent.

Karla (48:02.704)
Just for this. Yeah.

Heather (48:04.812)
Well, thank you for joining us, Ash. Where can people find you online?

Ash G (48:09.177)
You can find me on Instagram at @ashcandyboot. You can also follow Narsick @narsick on Instagram and you can find Narsick on Spotify and Apple as well. And also check out Night! Night!. My boys, they’re great as well.

Heather (48:26.696)
Excellent. We’ll be back with another episode every week, so be sure to hit subscribe. You can follow us everywhere at @disccoursepodcast. That’s Disc Course with Two C’s. And of course, we have the playlist and all the songs from the episode on Spotify and Tidal. You’ve been a wonderful audience. Good night.

Karla (48:27.152)
Great.

Karla (48:47.536)
Good night.

Episode Two

Episode Two with Greg Hanna

Cars in Music (In Cars!)

Episode Two

Cars hold a special place in American culture. Whether we’re talking hot rods, muscle cars, pimped-out customs, or just everyday drivers, cars pack a lot of nostalgia. They are the vehicle for bonding moments, transitions to new chapters, and some of our first tastes of freedom. In this episode, we explore some of our own connections to this American cultural icon with Greg Hanna, professional bass-player and customizer of Hot Wheels.

the Guest

Episode 2: Cars In Music (In Cars!) with Greg Hanna

Greg Hanna

Professional Bassist, Customizer of Hot Wheels

Music Recs: The GardenThe Paladins

Don’t let Greg’s unassuming demeanor fool you. He’s been playing bass professionally since he was 14 and has shared the stage and recording booth with the likes of The Dickies, DH Peligro (of The Dead Kennedys), John 5, and Pete Anderson. You’ve probably heard his riffs, too. He played on recordings that were featured on programs like Sons Of Anarchy, Keeping Up With The Kardashians, Blue Mountain State, Alaska Gold Diggers, and many more.

These days Greg’s focused on spending time with his wife and son and customizing Hot Wheels. Yep, he strips, modifies, and repaints tiny metal cars. (Head to his Instagram account to fall down that rabbit hole.) We start this episode with a song from the first band he was ever obsessed with: The Beach Boys.

This episode is definitely not sponsored by TIDAL, we’re just fans of streaming services that pay artists well. 

the Set List

Greg's song selections
Heather's song selections
Karla's song selections
Rajah's song selections

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In this episode, our friend is wearing a black t-shirt depicting a skeleton driving a hotrod by Pennywise.

the Transcript

Heather (01:27.321)
Welcome to Discourse, a podcast about music as a medium for conversation. Our guest today is probably the coolest person I know. Greg Hanna has been playing bass professionally since he was 14. So you were a member of the Dickies. You played in a band with D .H. Pellegros of the Dead Kennedys. You’ve played with John Five, Pete Anderson, and you’ve been on you played on tracks that have been all over television and media.

So you’ve been around.

Greg Hanna (01:58.501)
Little bit, little bit, yeah.

Heather (01:59.867)
So how did you really get started? your dad was professional musician, correct?

Greg Hanna (02:08.146)
Correct. My dad was a first call jazz drummer in the Detroit area. you know, music always in the home. I remember him playing six, seven nights a week. And then like a little, when I was getting a little bit older, he was playing in some other bands. He was playing a little bit of everything besides jazz at that point, like Top 40 and rock and country and

I started taking bass lessons, literally like two lessons, and he had a gig one night and their bass player couldn’t make it and he goes, grab your bass. I was like, okay. So 14 years old, playing in some bar that I shouldn’t have been in because I was 14, not that I was drinking or anything. And the band leader would look at me and say, okay, this one’s key of G.

Heather (02:59.795)
Ha

Greg Hanna (03:06.771)
You know, it’s like, well, I had a 50 50 chance of hitting the right notes, you know, so turn it down a lot more and just like, okay, you know, and then you, you know, you make it, you know, so was, besides taking lessons and all that, it was, there was a lot of like sink and swim, throw you out in the water and learn, you know, what they call standards.

Heather (03:33.466)
Mm

Greg Hanna (03:33.523)
songs that like every band plays for like wedding gigs and you know venues where they play four sets a night everything like that you gotta know a blues chord progression you got you got it’s a great way to learn all your must know what to do and how to play it so it was an amazing education for a 14 year old

Rajah (03:37.771)
you

Heather (03:59.4)
Yeah, that sounds incredible. So these days you’ve settled down a bit. spend most the time with your family and customizing Hot Wheels.

Greg Hanna (04:06.803)
Yes, I do. Yeah. Besides being into music when I was a kid, was, but still am. I’m into cars, love cars, always love cars, always love building model cars. getting busy with family and everything like that and space constraints, building models, take up a lot of space and a lot of time. And like about 10 years ago, I discovered

people customizing Hot Wheels on Instagram and I’m like this is me now so that’s what I you know it’s a great side hustle it’s a great hobby so it’s it’s just a lot of fun so

Heather (04:50.554)
Excellent. I love those niche hobbies that I feel like you always end up with like oddly tight -knit communities that, you know, are full of people who would never meet otherwise.

Greg Hanna (05:01.018)
I agree, I agree. it’s, I love little tight knit groups like that. And I also love that a lot of people within these groups, if there’s a need, they’ll create it. You know, like there’s a lot of guys that will print decals and sell them or print 3D parts, things like that, you know, so.

I love when the cottage industry spring up around it too.

Heather (05:32.22)
Absolutely. So our theme for this week honors your hobby. It’s cars. So let’s go ahead and get started. Music starts in three, two, one.

Greg Hanna (05:38.651)
Excellent.

Greg Hanna (05:42.482)
all right?

Heather (05:49.696)
Alright, so Greg’s first pick is Little Deuce Coop by the Beach Boys. It was released on Little Deuce Coop album on Capitol Records in 1963. Greg, tell us about the song.

Greg Hanna (06:02.216)
Well…

Wow, where do I start? Brian Wilson to me is one of the best composers of history, let alone pop music. the reason I picked this song is their singer Mike Love was really into Hot Rods, really into the surf scene. And there’s nothing I love more than docudrama. And this song has it in spades where they’re listed, you know,

how they built the car. It’s a 32 Ford. It’s got a competition clutch with a four on the floor. So this resonated with everybody in the middle 60s. So that’s the reason I picked it.

Heather (06:52.646)
Excellent. The Beach Boys is one of the bands that I grew up listening to and my dad is a car nut too. So I love this selection.

Karla (06:59.987)
Okay.

Greg Hanna (07:03.028)
I, yeah, I mean, and then they have so many other songs like 409, Shut Down, Fun Fun Fun. So besides the music and the singing, which is incredible, they really nailed it with the lyrics and capturing that era.

Heather (07:10.624)
Yep.

Heather (07:24.961)
Excellent. All right.

This next song is Life is a Highway by Rascal Flatts. This is Raja’s selection. It was released on Me and My Gang with Lyric Street Records in 2006. Raja.

Rajah (07:45.945)
Yeah, when I heard the theme was cars, the first thing I thought about was the movie cars. This came out when I was in middle school. And when I think about cars, I think about travel. And I love traveling. And so when I was little, being on a highway meant we’re going somewhere different. A new state, a new place, to visit someone. And the song is just a great song about life transition and going with the people you love and care about.

The vibe is great, it’s happy. It’s a great song.

Heather (08:19.873)
Yeah, it’s excellent. So Rascal Flatts is more country than I usually go, but this is a great cover.

Rajah (08:27.073)
What?

Heather (08:32.099)
So what about Rascal Flatts? Do you really connect with like, is this a band that you like a lot or is it just the association with the movie? Okay.

Rajah (08:43.19)
It really was just the song. The song, the highway, And of course it was on the soundtrack of the movie. So when I heard it, I was like, this is my jam. And I was first going to middle school, that was like a big loss change. And this song just was like, if I had to pick a song for this moment, I’m in. And it’s always been something I would turn back to when I needed a little pick -me -up. So, yes, traveling. Life is literally a highway.

Heather (09:10.915)
Excellent.

Heather (09:15.052)
It is.

Rajah (09:15.22)
And of course you can’t complain with rascal fags.

Heather (09:18.988)
Yeah. And I really, love all the Pixar movies. like, and my, my nephews always like they hit a certain age and they get obsessed with the Cars movies. It’s really a great connection.

Rajah (09:24.032)
Yes.

Rajah (09:30.378)
Thank you.

Karla (09:30.944)
Yeah.

Rajah (09:34.037)
And yes, I’ve seen all of them.

Heather (09:36.651)
Excellent, I have not.

Rajah (09:37.834)
Yes, they’re really good. Like, kids movies definitely still include themes and jokes for adults, so you’ll find something to commit to.

Heather (09:51.404)
Yep, I do love that.

Heather (09:56.344)
Greg, have you seen the animated movies?

Greg Hanna (09:59.447)
I’ve seen, I don’t know if I’ve seen one start to finish, know. My son sometimes when he puts a movie on, we might see five minutes of it. You know what I mean? But I’m definitely familiar with it, of course. But what this song reminds me of is if anybody here watched The Office, there’s a great scene with this song.

Heather (10:11.258)
okay.

Heather (10:27.957)
I haven’t seen that, that’s nice. There’s an office episode for everything, isn’t there?

Greg Hanna (10:32.917)
Yes.

Heather (10:35.757)
Excellent.

Heather (10:40.141)
Alright, this is a longer song, so we’re gonna jump to the next one.

Alright, this is Carla’s pick. is Fast Car by Tracy Chapman, released on a self -titled album on Elektra Asylum Records in 1988. Carla, tell us about this song.

Karla (10:59.04)
Yeah. Well, I first heard this song from a friend of mine when we were at a writing convention. like, just kind of, I was so young, I was like 21. And back then, it sort of vibed with me. But I think at different times of my life, it has also just had like an impact. It’s kind of like…

You you listen to a song once and it means something and then you listen to it another time in your life and it means something different and it resonates in different ways. And last year, actually, Tracy Chapman won Best Song at the Country Music Awards and she was the first black woman to do so, which is wild because this was released 30 years ago.

Heather (11:32.258)
Definitely.

Heather (11:46.052)
Right?

Karla (11:46.408)
And only now after like Luke Combs, like David A New Life and everything. So then I listened to it again when she played it live with him. I think it was like at the Grammys. And again became like obsessed with it. And every time I think about cars or road trips, this song is like top in my playlist. Cause I think it’s just such a…

a good song about growing up and overcoming obstacles and life not really turning out the way you planned it.

Heather (12:19.596)
Absolutely. I remember seeing an article about the cover when she won and how, I don’t know the new artist, but he purposely didn’t make any changes to the song so she would get more credit on it, which I think is really incredible.

Karla (12:21.183)
Yeah.

Karla (12:28.308)
Yeah.

Karla (12:35.496)
Yeah. Yeah, yeah. And she’s a very private artist too. So I think like, a lot of people thought she was dead for a while. Because it’s kind of like a generation. Yeah, it’s kind of this generation of artists that like, make music and then sort of that music lasts forever and you feel like…

Heather (12:47.025)
wow.

Karla (12:58.44)
It’s kind of like that music has been a part of your life forever, but you haven’t really seen the artist much. So a lot of people are like, I thought she was just done and she’s just very private. So I was happy to see her like live, you know, and get these accolades that she got to from the song. then just, I don’t think.

Any other lyrics are as catchy as this like, you know, we got a fast car. It’s like every, and that other line, I think that I belong and I think that I could be someone. I think that line really hits all of us at different times. Cause there might’ve been times where we might’ve felt like we didn’t belong or, you know.

Heather (13:47.302)
Mm -hmm. I think it’s really relatable.

Karla (13:51.504)
and it’s really long too.

Heather (13:54.843)
It is. It’s a very nice mellow vibe though, like sometimes you need a song like this. You really do.

Karla (13:56.37)
Yeah.

Yeah.

Karla (14:02.752)
It’s like a driving song too, I feel. Like if you’re on a road trip. Yeah.

Heather (14:04.879)
yep. Yep. I love rave songs.

Rajah (14:07.546)
Yes. Yeah.

Greg Hanna (14:11.191)
What year did this come out again?

Karla (14:13.376)
88.

Heather (14:13.385)
this, yep, 88.

Karla (14:16.085)
Yeah.

Greg Hanna (14:16.663)
Yeah, how amazing, I mean, it still stands up perfectly.

Karla (14:21.631)
Yeah.

Yeah.

Heather (14:26.539)
All right, on to the next song. This is… So this song has a really long intro. It’s like two minutes of comedy. So it is Bitch and Camaro by the Pet Shop Boys. It was released on Big Lizard in My Backyard on Quid Ergo in 1985. So I mentioned my dad is really into cars. Camaro’s were his primary growing up, I think.

Greg Hanna (14:41.433)
Classic.

Heather (14:55.596)
He had a 67 Camaro when he was younger that he really wanted to get again. But in high school, he actually made me put a playlist together for him and I burned CDs. It was his Camaro playlist and this was on there. you know, it has a place in my heart because of him. But like the intro is this long kind of…

Greg Hanna (15:10.135)
That’s awesome.

Heather (15:25.513)
Honestly, it’s kind of cringy now. Stand up thing with two of the singers. Like right here, they’re doing an impersonation of, what’s his name? From the Doors.

Greg Hanna (15:43.631)
Morrison. Yeah, Jim Morrison.

Karla (15:44.468)
Morrison.

Heather (15:44.981)
Yes, Jim Morrison. Thank you. Yeah. So for any young kids listening, like you should know who Jim Morrison and the Doors are. There’s a great, great movie. I’m going to forget his name again, too. Who played?

Greg Hanna (16:03.832)
Val Kilmer.

Heather (16:04.727)
Val Kilmer, thank you. I’m really bad with names, so I’m gonna need everybody to help me. I apologize. Like V, his name starts with a V. But it’s really fantastic. So, Ted Milkman.

Karla (16:06.149)
community.

Yeah.

Rajah (16:09.89)
I’m better than you two.

Heather (16:23.35)
So going through this, here we go. What kind of card is? It’s a bitchin’ Camaro.

Heather (16:36.374)
All right, here we go. So now it’s a great little jumpy song about a kid with a Camaro who has no business driving and can’t get in trouble because his dad’s the mayor. So I love it.

Karla (16:38.346)
Yeah, I know.

Karla (16:51.84)
you

Heather (17:08.632)
So I really like songs with this kind of comedy to them. I think that’s a recurring thing with me. Like no matter what the genre, you can work jokes in there, you’re gonna get me.

Greg Hanna (17:22.085)
Yeah, Deb Milkman nailed that whole humor and punk rock thing.

Heather (17:27.455)
absolutely.

Greg Hanna (17:29.936)
like punk rock girl, amazing song.

Heather (17:33.161)
Karla (17:33.192)
I love that song, yeah.

Heather (17:36.503)
Alright, well that’s round one. We’re gonna take a quick break and do a word from a sponsor. We don’t have any sponsors, so I’m just gonna talk about some random company I like. Today we’re doing a free promo for Tidal. Tidal is a streaming platform that is similar to Spotify. They started as one of the first companies to stream high resolution audio. Jay -Z bought them for a few years, now he’s just on the board, but they pay artists more than most streaming.

platforms, so their average payout per stream is like twice what Apple pays and like two and a half times what Spotify pays, which per stream is still really low. It’s like .013 cents. But I still feel like it’s more supportive of artists, so I really like it. And we actually are using Tidal in production right now, so Tidal sponsor us. All right, we’re gonna start round two.

here we go, back on. This is Thunder Express by MC5. It was released on Thunder Express on Jungle Records in 1999. Tell us about it, Greg.

Greg Hanna (18:52.381)
Well, you can’t have a song about cars without a band from Detroit, MC5. Although I think that release is from, what’d you say, 99? I think they originally recorded this like in 69 or 70. And just like with Iggy Pop, one of the ultimate pre -punk rock bands, you know? And I love this song, of course, because…

Heather (19:07.397)
okay.

Greg Hanna (19:20.446)
Again, with the docu drama with talking about having a 454 and a Voodoo heads and swifter shifter and all that. And it’s just the blues. The song isn’t overly complicated, but it’s just straight up rock and roll. And anybody out there is not familiar with MC5. You need to get familiar with them. Amazing songs and really raw and definitely.

definitely kickstarted punk rock before punk rock was even a thought. So hope you guys enjoy it.

Heather (19:57.081)
Yeah, so they’re, the track I’m familiar with is Kick Out the Jams. But other than that, they’re not like a household name for me, but.

Greg Hanna (20:02.235)
Yep, that was their big one, yeah.

Greg Hanna (20:07.534)
No, for a lot of people. Yeah, there’s no middle ground with MC5. Either they’re one of your all -time favorites or you’ve never heard of them. There’s no middle ground, so.

Heather (20:20.228)
Gotcha. So MC5 stands for, is it Motor City Five? Is that, yeah? And your family is from Detroit. You said your grandparents worked in them.

Greg Hanna (20:26.025)
Motor City 5, that’s it.

Greg Hanna (20:33.337)
Yep. Born in. Yep. All my relatives. Everybody worked for either GM Ford or Chrysler. So.

Heather (20:45.103)
Nice, lot of family history there.

Heather (20:58.886)
So this song in particular, how did you first hear about it?

Greg Hanna (21:02.879)
I just listened to the old MC5 records. You know, I think I probably first got ears on it, you know, my early teens, know, 15 or 16, something like that. had a buddy with some older brothers and they had a bunch of cool old records that kind of like slid me from the Beach Boys to more things like this and then slid me into more things like more like what was going on.

Heather (21:06.288)
Okay.

Greg Hanna (21:32.922)
at that very moment, like the dead Kennedy’s and black flag and things like that.

Heather (21:40.112)
Nice. Does it make you feel like really nostalgic or any other way listening to songs like these?

Greg Hanna (21:47.771)
yeah, sometimes. mean,

There’s some songs, like there’s a band called the Circle Jerks and they have an album called Wonderful. And if I put that album on, it takes me right back to spring of 1986 and skateboarding at that particular like in March. I don’t know why, but that’s another amazing thing about music, you know?

Heather (22:14.429)
haha

Heather (22:18.599)
Absolutely. Just kind of capture moments in your life.

Greg Hanna (22:22.652)
Yeah, and you don’t know it until years later, you know, at least for me.

Heather (22:27.484)
Absolutely.

Heather (22:34.772)
Are there specific lyrics in this song that really grab you?

Greg Hanna (22:39.314)
yeah, the second verse when he says, have LS7 -454 with an Inkey Cam, Voodoo heads in a Swifter shifter, pop the clutch, wham. It’s just like, and again, with older friends, with older brothers that had cars during this period, like your dad, but the Camaro, know, all my, all my buddies with older siblings. was just all, you know, it was like watching that movie Dazed and Confused, you know.

Heather (23:00.318)
Yeah.

Heather (23:10.102)
Absolutely. All right, we’re on to the next track. It is Throw Some D’s by Rich Boy. It was released on Rich Boy on Interscope Records in 2007. Raja, talk to us.

Karla (23:10.656)
great film.

Karla (23:25.406)
I love this song.

Rajah (23:27.053)
Yeah, the intro is funny to me. Just when people have conversations or phone conversations, it reminded me of how people would record songs before their voicemail to have some personality. But this song in particular made me think about when people customize their cars. Also, the summer is just a really popular song among music.

before I could drive but this song was everywhere and you would see people especially with a new car what customized it was the larger tires the rims and of course I know people started lying about spinners but when I think about cars I think about people customizing their cars and the whole culture surrounding car customization and this is one of those songs that made me think about it

And also love the… -Milly had this song also called Beats and she uses the same song, the beat specifically and with Rich Boyz Co -Side was able to bring this song back into the airwaves but she was specifically talking about it from Breast Augmentation so it’s funny how different songs

and different customizations people think about. But also just a great meat for a summer song.

Heather (25:04.831)
Nice. This is a song I’m not familiar with. Tell us more about Rich Boy, the artist.

Rajah (25:15.605)
Well, Rich Boy, an artist, this is one of the only songs that I really listen to from him. And I was reminded of it because of Flo Milly, so I of introduced him, reintroduced him through Flo Milly. So she’s a newer rapper, and he appears in her music video. And I was like, he looks familiar. Not picking up on the song.

Heather (25:29.203)
Okay.

Rajah (25:42.216)
where it originally came from. So of course the sample is what brought me back to this song. was like, he straight on wants to send me and he goes and I’ll

Heather (25:52.214)
Gotcha. I do like that one with all the sampling. You’re like, what is that? Like it’s a great unexpected way to kind of find new artists.

Rajah (26:01.718)
And I was like, I remember this. That was just everywhere on the radio growing up.

Heather (26:04.78)
Ha

Heather (26:09.314)
Nice.

Heather (26:15.064)
Alright, any more thoughts you have about this song, this artist, your memories? Alright, let’s move on to the next one. This one I am familiar with. This is Drivers License by Olivia Rodrigo, released on Sour on Geffen Records in 2021.

Rajah (26:20.172)
Thank you.

Karla (26:29.701)
Yeah.

Karla (26:35.976)
Yeah, I think if you don’t know or haven’t heard this song, then you’ve like really been living under like a rock because I feel like it just blew up everywhere. And honestly, when we said cars, I thought about this song immediately. was like, driver’s license. And even if you don’t like this kind of music, which I typically don’t,

Heather (26:43.978)
Right.

Karla (26:58.738)
know all the lyrics. like, it was one of those songs that it’s like you learn through osmosis because then everybody was talking about it. And I actually listened to the whole album because I was like, I mean, this was like teenage angst from Gen Z. I need to know what Gen Z is like feeling. I still had a chorus part, I don’t know if right.

Heather (27:15.69)
Ha

Karla (27:27.392)
I was like, wow, I feel like this is definitely how I would have felt at 17 if, you know, my boyfriend would have left me for somebody else, Yeah. And she’s such a Pisces, like Olivia Rodrigo’s a Pisces, and I feel like she’s like the epitome of Pisces. So like, you like really feel that depth, that water depth in these songs. Yeah.

Heather (27:39.722)
Absolutely.

Heather (27:56.323)
Yeah. I mean, this is one of those albums, like, early on, there was so much conversation about it. was like, well, I have to listen to it. And it’s, it’s really good. Like, I don’t, I mean, I’ve listened to a decent amount of pop music. But a lot of things I don’t like because they’re popular. I’m one of those people. Yeah, but I was really impressed with this album. And like,

Karla (28:07.629)
Yeah

Rajah (28:08.595)
Thanks

Karla (28:15.784)
Yeah, yeah me too.

Karla (28:22.548)
Yeah, and she has a great like from start to finish, I have to order.

Heather (28:28.923)
Yeah, absolutely. And I also, loved the memes that were like, you know, just a 30 year old teenager listening to Olivia Rodrigo. I think that really speaks to how well it resonated with people.

Karla (28:31.529)
and

Karla (28:37.525)
Yeah. Yeah.

Karla (28:44.628)
mean, I know like growing people, like really growing people that were like resonating with this song, right? I feel like this chorus too is so brilliant because you know, it’s like who hasn’t gone through this, you know? Like you’re in your car and you’re thinking about your ex and like you’re at the red light and you’re feeling that like dread and you might see them and

They’re still kind of like ghosts, right? Like they’re kind of like, they’re ghosts everywhere. But yeah, and this is so, it’s like innocent, but it still has that like, that thing that resonates with all of us, that like connection to like our significant others, which are those mundane moments where love actually lives. Like, you know, you’re just in the car laughing. I mean, she has another one about like ice cream, like sharing ice cream and.

Heather (29:17.656)
Mm.

Heather (29:43.163)
Hmm.

Karla (29:44.446)
And I’m like, ooh, that one like, are you like picking out ice cream with her now and things like that? And I’m like, yeah, that that stinks. But yeah. That’s that.

Heather (29:52.945)
Ha

Yeah. Greg, did this album reach you or just pop off your radar?

Greg Hanna (29:59.62)
I definitely, well, I’ve heard this song and I’m not too familiar with her music to be honest, but she definitely reminds me of Joni Mitchell and maybe a little Fiona Apple, but Fiona Apple was like a sledgehammer. know what I mean? Tori Amis, you know?

Karla (30:20.543)
Yeah.

Heather (30:24.42)
Mm, right.

Karla (30:24.916)
Yeah.

Greg Hanna (30:29.204)
Yeah, very good. I’m going to have to get a little deeper on that.

Heather (30:33.343)
Yeah, nice. All right, next song is on. It is Galaxy 500 by Reverend Horton Heat. It was released on Lucky 7 on Sheridan Square Entertainment in 2002. This is my pick. This is a newer song. This is obviously not related with my dad. He did not get into rockabilly and psych -abilly. But so Reverend Horton Heat, think, I honestly can’t remember when I first

Karla (30:33.503)
Yeah.

Heather (31:03.08)
heard them. I think it was just a deep dive into the genre because I was like, I’d recently heard about it and was like, this sounds interesting. Let me explore it. And I think Revan Horton Heat in particular is kind of like my version of country. He’s from Texas. There are a lot of the same themes. There are songs about getting left by his girlfriend and all of this.

music equipment being left in the rain on the front lawn, that sort of thing. But I really like the kind of rockabilly roots in this type of music. I get that rock fix, but it also, a lot of it is more playful, which is what I really like about music. And then the Galaxy 500, it’s a Ford model, which

You know, nobody cared about Ford in my house growing up, but it’s that kind of style. Although I did, I will say there was someone I went to high school with that on his 18th birthday, he went and got the Ford logo tattooed on his bicep. So like there’s a lot of love for Ford in the area.

Greg Hanna (32:04.293)
Right, right.

Karla (32:23.456)
poor life choices.

Rajah (32:24.162)
That’s commitment.

Heather (32:24.914)
Yep, yep, I wonder what he thinks about it now.

Rajah (32:27.793)
Thank

Greg Hanna (32:30.211)
I remember hearing these guys for the first time in the early 90s when they were on Sub Pop out of Seattle. you know, being a fan of like 50s rock and roll era, I’m like, yeah, this is great. And the straight cats, of course, you know, like more of the modern, the meteors, straight cats, more modern rockabilly bands that kind of paved the way for the revered. Not that he didn’t earn it, you know.

Heather (32:38.41)
Nice.

Heather (32:46.606)
Mm.

Greg Hanna (32:58.951)
I know those guys have been slugging it out since the early 90s. you know, seeing them live a few times. My buddy Haas is their drum tech. Any band that tours with Motorhead, seriously, that’s a feat into itself, you know.

Heather (33:09.112)
nice.

Heather (33:21.057)
Excellent.

Heather (33:25.269)
Yeah, there’s something about the vibe that just feels kind of homey to me, I think. Like the combination of the love of cars and the rock. I’m going to end up talking about my dad a lot on this show, so.

Heather (42:59.489)
Discourse is produced in partnership with Hey Awesome Girl, a full service marketing and creative studio on a social mission to help female entrepreneurs build and grow companies that empower their lives. Become a part of their awesome community at heyawesomegirl .com/grow. All right, let’s get into round three.

This is Manny, Moe and Jack by the Dickies. It was released on Dawn of the Dickies on Mercury Records Limited in 1979. Greg, tell us about it.

Greg Hanna (43:30.765)
All right. This was recorded way before I got into the Dickies in 2003, but this is one of the songs that was a staple in our set. So we played it every single night. It was a lot of fun to play. Crowd always loved it, sang along. For those who don’t know, Manny, Moe, and Jack are the mascots for the Pep Boys’ Auto Parts chain.

So it’s just a lot of fun, like all Dickie songs, not political, just a lot of fun and lot of silliness. probably my favorite part of this song, while playing it live, is one of our guitar players, Little Dave, him and I would do, we would study old live ZZ Top videos and steal all their stage moves.

Heather (44:29.315)
Ha, nice.

Greg Hanna (44:29.707)
So we would like rehearse backstage, like come up with ideas and stuff, but we wouldn’t tell any of the other guys in the band. And we’d just start playing and we’re doing like all these synchronized steps and stuff and twirling guitars and all that. So a lot of good memories, a lot of fun, always fun.

Heather (44:51.595)
Excellent. Perfect. Yeah, so I didn’t know the Dickies before I met you. So thank you for introducing me. they’re… Yep.

Greg Hanna (44:51.946)
And it’s car related.

Greg Hanna (44:59.661)
Yeah, that’s okay. Yeah, it’s another one of those bands either like you love them or you never heard of them, you know.

Heather (45:08.653)
Yeah, mean, the music is so much fun. You had to have a blast playing with them.

Greg Hanna (45:14.327)
It was a lot of fun. was a lot of, with any touring band and any band like that, there’s a lot of not fun stuff, but it was mostly fun for sure. And the guys are still playing, we’re still friends. So the next time they swing through and they’re by you, I strongly suggest you go see them. They got a great band to this day.

Heather (45:26.158)
No, sure.

Greg Hanna (45:43.375)
and they’re still writing new songs too. you know, after the Ramones stopped playing, the Dickies are the longest playing American punk rock band and the first punk rock band ever, first American punk rock band signed to a major record label. So.

Heather (45:46.209)
Excellent.

Karla (45:55.456)
Yeah.

Heather (46:02.807)
wow, that’s pretty impressive. Yeah, and you were part of it. That’s really cool.

Greg Hanna (46:06.051)
Kinda cool.

Greg Hanna (46:09.977)
for a brief time, yeah, and it was awesome. It was awesome experience.

Karla (46:11.018)
Yeah.

Heather (46:15.153)
Excellent. All right, this next song is I Drove All Night by Celine Dion. It was released on One Heart on Sony Music Entertainment in 2003.

Karla (46:25.408)
Yeah, this was my pick. And yeah, and this was actually, I have a really like crazy story with the song. So my mom is a diehard Celine fan and so am I. And I used to listen to her a lot as a kid, but I was maybe 23 and this song came on.

Heather (46:27.887)
Yeah, it’s out of order, sorry.

Karla (46:49.008)
And I couldn’t listen to it for a while because I caught my ex cheating on me as I drove up to his house And I had this blasting in my car And like as I drove into his his like I don’t know his driveway is the word in English as I drove into his driveway he’s like Walking out with this other girl And I’m like the fuck and this is playing

Heather (46:56.421)
What?

Karla (47:15.384)
in the car. It’s like the soundtrack to your cheating situation, you know? It’s kind of like a Hallmark movie moment, you know? And that was like a very dramatic moment because I actually threw a watermelon at his head and the watermelon, he’s bald and like the watermelon like dripped down and like Celine is playing in the background in the car, you know?

Heather (47:16.051)
Ha

Heather (47:24.082)
Wow.

Karla (47:41.884)
And so, yeah, so I had to include it. I mean, I laugh about it now, but it was a horrible time. So.

Heather (47:42.399)
my God.

Greg Hanna (47:44.426)
F -A and F -O, yeah.

Heather (47:48.947)
That is fantastic.

Heather (47:53.945)
Yeah. Wow. So is this like you can’t stand to listen to the song because of that? Okay.

Karla (48:00.69)
No, no, I love it now. I love it now. had like, definitely had like PTSD about it for a while and I had to take a break from Celine. But now I’m back to, you know, to loving her and yeah. And she’s still one of my favorites and like, I feel like at least for me,

Heather (48:11.523)
Karla (48:22.506)
I play my favorite music when I’m driving or when I’m cleaning my house or cooking, like doing any of those three things. And she’s, this song is definitely like on my cleaning playlist. Like I’ll, you know, like scrub the floors to it. Cause it’s like poppy, but it’s got that like, she still has that like 90s thing in her, you know, including these like little techno rhythms in there.

Heather (48:35.26)
Mmm.

Heather (48:38.576)
Excellent.

Heather (48:50.24)
And it’s got a good beat. can see like keeping you motivated while you’re cleaning. That’s good.

Karla (48:51.806)
Yeah. Yeah. It’ll keep you motivated to, you know, break a watermelon on a cheating ex.

Heather (48:59.931)
Yeah. wow. He totally deserved that. So you just like had a watermelon in your car.

Rajah (49:04.213)
Yeah.

Karla (49:04.724)
Yeah, my friends now call it… No, it was Valentine’s Day. I missed that. So was Valentine’s Day and he was like really into watermelon at the time. And for some reason I got up super early. I just had one of those like little witchy moments where I was like, I don’t know why, but I feel like I should buy a watermelon and head to this person’s house. And lo and behold, you know…

Heather (49:13.089)
damn.

Heather (49:32.211)
Wow.

Karla (49:33.16)
caught in action. So I had the watermelon and I was like, you know, here’s your freaking Valentine’s Day breakfast.

Heather (49:44.54)
Wow.

Karla (49:44.67)
Yeah, and all the neighbors were like passing by and like, yeah, horrified.

Heather (49:51.637)
I know.

Rajah (49:52.316)
Yeah, that sounds like the perfect storm, but I’m glad you can still listen to it now and enjoy it.

Karla (49:56.352)
It’s a good story now. And I’m usually really chill, but I feel like everybody deserves a little rage moment whistling in the background.

Heather (49:58.803)
Yeah, I’m glad you’ve been able to heal.

Rajah (49:59.497)
Yes.

Heather (50:08.198)
Absolutely.

Greg Hanna (50:09.703)
I really want to really, really,

Heather (50:13.429)
Alright, so next we have Sittin’ Sideways by Paul Wall featuring Big Poki. was released on the People’s Champ on Atlantic Records in 2005.

Rajah (50:23.761)
Yes, this was the first song on or first single on that album and when it came out still couldn’t drive but definitely saw like Fast and Furious and learned about like hydraulics and things and cars like that and so Sitting Sideways is when you have like the rear tires are touching the ground but the front tires are up on hydraulics

Heather (50:35.549)
You

Rajah (50:53.369)
and the car is leaning a bit to the side so it allows the driver, everybody in the car, to literally sit sideways. And this song is a feel, a personification of you have, especially Paul Waller for the music. And just like the attitude you have when you know your car looks nice, it’s customized to the key.

I really like car customization. I grew up watching Pimp My Ride and this song makes me think of Pimp My Ride and just that whole era of all those crazy putting a fish tank in your car. Like why do you need fish in your car? just like, right? Just like the attitude of having a car that can kind of dance to music and those different compositions.

Karla (51:27.696)
yeah.

Heather (51:30.973)
wow.

Heather (51:36.821)
Yeah. That show is so ridiculous.

Rajah (51:50.385)
where people would try to out -jump other people’s cars. That was also wild, but the energy there is just how people could have entire cultures built around their car’s personality to match them. I always think that’s so cool. And you can see that in this kind of music video as well. Of course, that’s actually serious when one of the characters, I her name is Suki.

She had a pink car with some anime character on the car and I thought that was a cool thing. So I was definitely interested in like wrapping cars and hopefully pimping out a car to match my personality. So that’s what I thought about when I was picking this up.

Heather (52:37.913)
Nice. I like that. It is like, God, that takes me back to like the height of MTV and their like the Cribs show and Pimp My Ride. It was so ridiculous on everything. Like they had to like fake a lot of that, right? Okay. wow. I hadn’t heard that. That makes sense.

Rajah (52:50.863)
Yes.

Rajah (52:57.391)
Yes, like some of those houses were rented, not owned. Yes, yes.

Rajah (53:06.925)
And so they’re like, this is my house, or this is my ride. And it’s like, it’s too expensive now that I have a mini fridge in my backseat to keep this going. still colorful and vibrant and a rich history there. And people customize their cars to express who they are, students there, know, riding around, traveling, car shows, things like that.

Heather (53:16.889)
Yep.

goodness.

Heather (53:36.548)
Yeah, I do like that. I have bats. Actually, I bought my car partially because it already had bat decals on the back. I’m like, well, it’s the model I was looking for. And it was like a mile from my house. I’m like, this is perfect. It’s meant to be. Yeah. I like the customization people do. It is cool.

Rajah (53:51.008)
Mr. yes. I love that.

Heather (54:00.557)
Alright, this is the last song. Highway Star by Deep Purple. was released on Machine Head on Warner Records in 1972. So this is another song I know because of my dad. But it’s like, I feel like it’s like the penultimate road song. Like there are a lot, you know, I thought about doing like I Can’t Drive 55, Sammy Hagar, but I had to go with this one.

Like just the vocals and like that driving kind of track on it. Like you can’t, you can’t go wrong. It’s fantastic. also random connection. I was watching the expanse, the sci -fi show, which is a great show. but there is a scene on it where there were people like racing spaceships, like they had these little speedster ships and they were like,

think they were using gravity to like speed things up and everything and they were playing a cover of this song, like just the instrumental from it and it was perfect. It was so exciting for me.

But yeah, great song. Also, The Expanse Show, I really like science fiction. I don’t know if anybody else does. But they did a great job, like, creating this future universe based on ours. So everything is like divided by classes. So the working class all moved to the asteroid belt because we’re mining ore from the asteroids.

And that creates all these differences in health. So they can’t go to planets because they don’t have the bone density. So there are all these complicated things with that. And then the rich elite all live on Mars because they could afford to move there. And then the middle class is still on Earth. So it’s really interesting how they expanded our society to fit a broader thing. I really like how they did that.

Heather (56:09.241)
Excellent.

Rajah (56:11.404)
love that and it does sound like a racy song.

Greg Hanna (56:11.57)
Amazing song, for sure.

Heather (56:14.586)
Right? Like, this riff right here? Yes.

Greg Hanna (56:24.184)
so john lord got this sound he used to plug his ham and b3 organ into a martial guitar stack so you can hear that distortion he’s playing through a guitar amp that’s what it sounds like that that’s the deep purple sound

Heather (56:31.611)
Yeah.

Heather (56:38.234)
Nice.

Greg Hanna (56:42.88)
especially right here.

Heather (56:44.325)
Mm

Heather (56:48.243)
It’s like a…

how would you describe that kind of feeling? The sound. Neat, great. that’s good. Yeah.

Greg Hanna (56:54.122)
A meat grinder.

meat grinder strapped to a bulldozer going through a building.

Heather (57:00.319)
Excellent.

Heather (57:11.665)
All right, well, I think we’ll wrap up the show now. That was an excellent playlist, if I do say so. Thank you, Greg, for joining us.

Greg Hanna (57:20.022)
Fantastic.

Karla (57:20.362)
Yeah, definitely.

Greg Hanna (57:24.663)
You’re very welcome. Pleasure was all mine.

Heather (57:27.453)
I’m gonna, so I pick a winner at the end of each episode, I’m gonna give it to you, cause you’re still like super cool. Thanks for joining, thanks for being you and bringing a of that music energy to us.

Greg Hanna (57:35.255)
Okay, awesome. Thank you.

Greg Hanna (57:44.181)
Well, thank you for the invite, honestly. you know, anytime I would love to come back if, but just a warning, if you had me on for a politics theme, all three of my picks are going to be Doug Kennedys. I’m telling you that right out of the gate. So, okay, cool. Cool. All right.

Heather (57:58.159)
that’s perfect. I support that. So where can people find you online?

Greg Hanna (58:06.793)
I’m just on Instagram. So it’s just gh_customs and it’s mainly Hot Wheels related, but sometimes I do music posts and stuff and there might be more of that in the future. There’s some local guys trying to, you know, just like the Godfather trying to pull me back in. So we’ll see if I’m there yet. You know, I had to take a break from it.

Heather (58:12.882)
Excellent.

Heather (58:29.855)
Excellent.

Greg Hanna (58:36.524)
But we’ll see. I might be ready, jump back in.

Heather (58:36.638)
Yeah.

Heather (58:41.142)
Okay. Well, we’ll be back with another episode every week, so be sure to hit subscribe. You can follow us everywhere @disccoursepodcast (that’s Disc Course with two Cs). And of course we have the playlist with all of the songs from this episode on Spotify and Tidal. You’ve been a wonderful audience. Good night!

Episode One

Episode One with Tivi Jones

Love at First Listen

Episode One

There’s a first time for everything, and if you’re a music lover there’s also a song for every first. We’re kicking off our premiere episode with a litany of firsts: first introductions to favorite artists, first relationships, and a few firsts of a different kind. Our guest is Tivi Jones: entrepreneur, marketing consultant, and lover of hip-hop. As the founder of Hey Awesome Girl, she helps mission-driven companies and femme professionals grow businesses that empower their lives. 

the Guest

Episode 1: Love at First Listen with Tivi Jones

Tivi Jones

Entrepreneur

Music Recs: Leon Bridges

Tivi has been a professional consultant since 2010, working with brands like PBS, People en Español, Entrepreneur, and Rolling Stone. She founded Hey Awesome Girl in 2016 as a social impact creative studio working to solve some big challenges.

Hey Awesome Girl works with clients in a lot of equity spaces. Their missions include lowering infant mortality rates, decreasing HIV rates in Black women, addressing implicit bias in healthcare workers, protecting reproductive rights, and empowering members of marginalized communities in a myriad of ways. The work can be difficult, but it’s a calling Tivi can’t ignore.

Tivi kicks off this episode with a track that reminds her of the highs and lows of the entrepreneurial journey: Big White Room by Jessie J.

This episode is definitely not sponsored by Chewy, we’re just fans of excellent customer service. 

the Set List

Tivi's song selections
Heather's song selections
Karla's song selections
Rajah's song selections

Not up for all the chit-chat? Listen to a music-only version of the podcast on your preferred streaming service:

the Episode

Now streaming:

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What are they wearing?

In this episode, our friend is wearing a red tank top with a black cat design by The Pixies.

the Transcript

Heather (00:32.114)

Welcome to Discourse, a podcast about music as a medium for conversation. I am excited and terrified to kick off our very first episode. I’ve wanted to do this for so long and it has been a labor of love for me. I’m Heather, my co-hosts are Raja and Carla, and our very first guest is Tivi Jones.

Tivi is the founder and CEO of Hey Awesome Girl, a full service marketing and media production studio in Durham, North Carolina, and our boss, Lady. Hey Awesome Girl is really what brought everything together to make this show happen. So first of all, thank you. And also tell us a little about the mission of your company.

Tivi Jones (01:19.489)
man, I should have prepared better. Yeah, like you said, Hey Awesome Girls is a full service creative agency. We do mission driven work. We work with government agencies, nonprofits, all sorts of small businesses. Our mission is really to just make the world a more awesome place. So we are a team of beautiful professionals, many who are on the screen right now and people who aren’t on the screen right now. And this is top.

quality professionals lending their services to mission-driven groups. And so I’m really excited to also support this project because our social mission is to empower women in entrepreneurship and media is a beautiful platform for entrepreneurship for women. So I’m happy to be here with you Heather.

Heather (02:09.632)
Awesome. And it’s only fitting that our theme today is first. We have some interesting picks. I’m really excited to share this playlist with everyone. So let’s get going. Music starts in three, two, one. This first song is Big White Room Live by Jessie J. It was released on Who You Are on Universal Republic Records in 2011. Tivi, tell us about the song.

Tivi Jones (02:39.855)
man, okay, so in the theme of first, I first heard this song at a drag show in Durham, downtown Durham, which was amazing. And I have to honestly say this song was the first song that I ever heard at a drag show. And I immediately was like, what song is this? Immediately went home, downloaded it from Apple Music. What I love about this song in the topic of first is,

What people don’t always tell you about firsts is that sometimes firsts and new explorations come from a place of pain. This song is the song that I sing when I feel overwhelmed, when I feel trapped, when I just feel like the world is weighing on my shoulders. And that might sound really dark and depressing, but that’s also a catalyst for me. Like I always say discomfort is data.

And when I first started my entrepreneurial career, I remember feeling like I’d hit rock bottom. And honestly, there’s a lot of power and freedom in that rock bottom because there’s only where else can you go from rock bottom? right. So this song to me is like almost like the prequel to that first. It’s like the catalyst to that first. And she’s, you know,

Heather (03:57.15)
You

Tivi Jones (04:09.293)
She’s singing, I’m going crazy, I’m losing my mind in this big white room of mine. So yeah, when I think about first, I wanted to start with something that helped people not just think about the positives of first, but think about like what gets you to the first, because it’s not all romanticized. Sometimes it’s really hard. Plus, I love the live version.

Vocals are amazing and I don’t really follow a lot of Jessie J. I don’t know if y’all do.

Heather (04:40.228)
A few tracks, but I don’t know her whole discography or anything.

Tivi Jones (04:44.453)
Yeah. The voice is amazing on the live version and the drag show that I attended, was very somber in the first half of the song. And then this part, she’s like running around and she’s like very dramatic and just expressive. And I don’t know, like everybody on the screen is an entrepreneur in some way and a professional in some way. And I mean, is that reliable?

Is that relatable to be like, my God, I feel trapped, I feel overwhelmed. And then you’re like, all right, I’m about to do something else. Like, you know what I mean?

Heather (05:21.528)
Absolutely. Yeah.

Rajah (05:22.38)
Yeah, let’s switch it up.

Karla (05:22.679)
Yes. All the time.

Tivi Jones (05:25.893)
Mm-hmm.

Heather (05:25.944)
I like what you said about having to hit rock bottom. I recently saw a line of poetry from, I think, Emily Dickinson, and it’s talking about, very roughly paraphrasing, because I cannot remember what it was, but it basically was like, you know, when I hit the bottom, it felt solid and comforting because I knew it could only get up.

Tivi Jones (05:35.866)
Hmm.

Tivi Jones (05:50.383)
Hmm. Yeah.

Karla (05:53.875)
I also feel like those moments and I’ve been reflecting a lot about rock bottom this week. Like whenever I have like a big week where I’m overwhelmed with like my reality, I often like bring myself back to those days where like I wanted this to be my reality. And I’m like, wait, take a break. Like you’re living what you wanted to manifest. And I often go back to like,

Heather (06:01.122)
Ha ha.

Tivi Jones (06:17.539)
Mm-hmm. Mm-hmm.

Karla (06:20.577)
the beginning of my entrepreneurial journey when I was 25 and like, I left a very comfy cubicle job in Chapel Hill to waitress so that I could build this right now. And that was for me a lot of rock bottom because like I would often be like covered in like food and you know, doing all these things and I’m like, am I ever getting out of this? Like, is there ever going to be

Tivi Jones (06:37.1)
Mm-hmm.

Tivi Jones (06:48.729)
Mm-hmm.

Karla (06:50.403)
But then when you do get those breaks and you do get those moments, I think like, you know, not to, I hate to be that person that’s like, have to go through those moments to really appreciate that. But I do think that it makes you appreciate it more. Like, yeah, I definitely think that like, ease is a good way to succeed. I’d like, please like, more ease universe. But I think like those difficult moments and like hitting rock bottom really.

Tivi Jones (07:05.293)
It does.

Yeah.

Karla (07:19.661)
helps you to savor the moments where you are in ease or where you are living what you wanted to manifest more.

Tivi Jones (07:27.189)
Mm-hmm. Yeah. mean, and firsts are hard. Like, it’s literally a first because you’ve never done it before. So, like, you gotta, like, build the tools because even in the success, they’re gonna be more like what feel like really tough rock bottom moments and you gotta, keep moving to that next level every time. yeah. This was, this was crucial for me to, like, start with, like, that foundational.

Heather (07:29.156)
Absolutely.

Rajah (07:57.295)
I love that.

Karla (07:59.513)
Yeah.

Heather (07:59.844)
All right, this next song is One to One by Tevin Campbell and Rosie Gaines. It was released on a goofy movie by the Walt Disney Music Company, 1995. Rajna, tell us about this one.

Rajah (08:12.933)
Yeah, the funny thing is this movie came out in 1995, so I would have been too. I didn’t see it until I was probably like eight-ish, but I fell in love with the movie, the message behind it of just like growing pains and learning that you like still need your parents, even though you’re trying to go out and find yourself in the world. And thinking about Tevin Campbell is voicing the character Powerline.

Tivi Jones (08:28.911)
Mm-hmm.

Rajah (08:42.821)
who is actually a combination of Prince, Michael Jackson, and Bobby Brown. So if you look at all those artists and then hearing the voice and the lyrics, it really represents all of those artists, think, beautifully, but also the title. In iTunes, it is one-to-one, but in other formats, it’s eye-to-eye. So a lot of people are like,

Tivi Jones (08:50.797)
Mmm.

Tivi Jones (09:10.862)
Hmmmm

Rajah (09:11.821)
looking at how it pays homage to Princess song titles like I Would Die For You. And so just that energy of love and how it can conquer a lot of things. And I think I said it before, I’m a lover girl. And so just like, I definitely believe that love can conquer a lot of things. And so this is just my favorite song.

Tivi Jones (09:38.169)
Hahaha

Rajah (09:40.279)
my favorite song. love this song. Anytime I hear it, can bring me out of a bad mood. Even thinking just about like the world and everything that’s going on. If we listen in this part right here.

Karla (09:49.583)
you

Tivi Jones (09:50.274)
Mm-hmm.

Rajah (09:54.543)
People are, you know, they’re born in love. They come from love. And if we were to move with love more, I think we could really get somewhere.

Tivi Jones (10:06.083)
Mmm. I love this. I love that it’s from the goofy, a goofy movie. Like.

Heather (10:09.508)
Mm-hmm.

Karla (10:11.265)
Me, I love a goofy movie.

Rajah (10:11.919)
Yes.

Heather (10:12.396)
Right? I don’t think I’ve seen this movie since the 90s. Now I need to re-watch it.

Rajah (10:17.601)
Yes.

Tivi Jones (10:18.085)
I need to re, I haven’t seen this since the 90s either.

Rajah (10:20.197)
It’s the first one.

Heather (10:20.323)
Ha

Karla (10:21.327)
actually just recently saw this movie and I really like I cry every time because like also I think like Goofy as a dad like I’m a Donald girl but I always love Goofy and I think like as it like he’s like the kind of dad like everyone would want to have like figuring it out like stumbling but also just like you know really like daddying it up

Heather (10:24.377)
What?

Rajah (10:27.417)
Heather (10:27.817)
Tivi Jones (10:33.551)
Uh-huh.

Tivi Jones (10:41.764)
Yeah.

Tivi Jones (10:46.527)
Mm-hmm. Like Roger said, love. A lot of love from Luffy.

Karla (10:47.809)
Yeah. Yeah. Yeah.

Rajah (10:47.877)
testing.

Heather (10:49.528)
Mm-hmm.

Rajah (10:50.521)
Yes, I’m gonna love you through your attitude right now. That’s a choice.

Karla (10:54.381)
Yeah, yeah.

Tivi Jones (10:54.401)
Okay, um-hmm. Goofy probably won’t even notice the attitude. He’s just like, just come over here, just give me a hug.

Heather (10:55.78)
You

Karla (11:01.305)
Cause he’s just like, or whatever does that hiccup that he does. Yeah, so cute.

Rajah (11:04.293)
Yes!

Tivi Jones (11:10.415)
So good.

Rajah (11:11.651)
And of course, I love the powerhouse vocals.

Heather (11:11.972)
I don’t know why.

Karla (11:12.399)
Honestly though, yeah. I’m not surprised that it isn’t a goofy movie because I feel like the best lessons are in children’s movies for adults.

Heather (11:14.724)
Mm.

Tivi Jones (11:15.905)
Mm-hmm.

Heather (11:23.532)
Yes.

Rajah (11:23.811)
I cry in a lot of children’s movies.

Tivi Jones (11:23.841)
Yes. Yes.

Karla (11:26.937)
Yeah.

Heather (11:27.319)
Yep.

Rajah (11:27.749)
Mm-hmm.

Tivi Jones (11:29.411)
Yeah, my goodness.

Karla (11:30.697)
season is coming up so

Rajah (11:33.014)
don’t get me started. No, I don’t need to remember right now.

Tivi Jones (11:33.657)
Can’t Carla. Don’t Carla.

Heather (11:36.728)
No.

Karla (11:37.719)
Yes, next week, next week, set up your alters.

Rajah (11:42.181)
I might watch it for you.

Heather (11:42.765)
you

Tivi Jones (11:45.829)
I’m gonna watch it too. I’m not even gonna front. I love that movie.

Rajah (11:47.725)
Yeah, it’s so beautiful.

Karla (11:48.687)
I watch it every year. It’s a gorgeous movie.

Tivi Jones (11:53.893)
I mean, I think that’s the great thing about firsts is nothing is lost and as you experience more firsts, you learn from previous firsts.

Heather (12:02.55)
Absolutely. This next song is First Date by Blink-182. It was released on Take Off Your Pants and Jacket on Giffin Records in 2004. Karla, tell us about this song.

Karla (12:15.247)
Okay, I’m sorry, I really like this hat. So, Linguine 2 was, I was a rocker girl in high school, and I still am a little bit, like a lot of it, but yeah. I think I’m just more like open, but I used to have blue hair. Yes, there’s more to me than meets the eye. Before I was blonde, there was a of colors on this head. Yeah, and so when I was a teenager,

Tivi Jones (12:15.51)
you

Heather (12:17.463)
You

Heather (12:32.002)
What? I had no idea.

Tivi Jones (12:32.357)
pictures.

Rajah (12:34.707)
Thank

Karla (12:45.787)
I had a lot of like, bullying coming from like my family. I grew up with boys and I wasn’t like, you know.

pretty in their eyes. So like I always considered that I wasn’t going to be a pretty girl but I had all these other qualities. Like was smart and I was funny. And then when I was like 15, I had my first boyfriend Nick who was gorgeous. Like he was so gorgeous. And I remember every time he would pick me up I would like play the song.

Tivi Jones (13:11.736)
relatable.

Heather (13:20.64)
Tivi Jones (13:21.317)
Karla (13:22.575)
And like I dated him for three years and I used to have a lot of like Blink 182 merch and stuff. But I always love this song just because like it reminds me of being, you know, a teenager and getting picked up for my very first date.

Tivi Jones (13:35.854)
Mm-hmm.

Tivi Jones (13:39.717)
Aww. I love it. Absolutely love it. Also, I’ve always loved Travis from the very beginning. He’s my fave.

Rajah (13:40.678)
So sweet.

Karla (13:42.809)
Yeah.

Karla (13:49.839)
You’re such a Kardashian. Yeah, look at you.

Rajah (13:50.567)
Mm-hmm.

Tivi Jones (13:55.301)
I mean, even before I knew what a Kardashian was, I was into Travis.

Karla (13:58.127)
Who is a Tom girl?

Karla (14:02.607)
There you go. I mean, he had that show with his ex-wife at around the time that like I was a teenager and I used to watch it on E. Yeah.

Heather (14:10.813)
that’s right!

Tivi Jones (14:13.848)
never knew that.

Heather (14:15.052)
She was like a model or something. I think I only saw a couple episodes, but I remember them having a conversation about if humans had tails. And like how Travis, if he had a tail, it would be like all tatted up and everything. And I think about that conversation a lot. It just stuck with me.

Tivi Jones (14:32.036)
Sounds right.

That’s like random.

Karla (14:36.779)
That was the inspiration for Avatar.

Heather (14:39.648)
Yeah. Are you serious? Okay.

Tivi Jones (14:42.181)
you

I’m sorry, I was already laughing at Karla. And then I was like, wait, it’s

Karla (14:50.659)
gonna feed that guy some cake.

Heather (14:54.742)
Alright, this next song is Chain Me Free by The Matches. It was released on Yvonne Dahl Killed the Locals on Epitaph Records in 2008. So this was, The Matches are like my favorite band. They’ll probably come up again on the show. And I found them at Best Buy. I went in back in the day when, you know, you got new music by CD, not the internet.

Tivi Jones (15:20.121)
Mm-hmm. Mm-hmm.

Heather (15:21.464)
And I got a Punk-O-Rama 10 disc and they had, you know, they had a collection of songs and then they also had a bonus disc that was videos. So one of their other songs was on the audio only. This they had as a music video. They have a lot of great music videos, but this one in particular is really impressive. So.

Tivi Jones (15:32.557)
Mm-hmm.

Heather (15:46.87)
In it, they’re all on this circular stage that’s rotating, but then when the chorus comes on, their video goes backwards. So like in interviews with the band, they talk about how they actually learned the chorus backwards and they would actually say it that way so they could reverse the video. And it’s…

Tivi Jones (16:05.743)
Yeah.

Heather (16:06.882)
You know, they’re classic pop punk. They were really good for a lot of reasons, but you know, in the video they have, you know, torn jeans, whatever, and the lead singer has a, like, makeup line going through his eye, so like, I immediately fell in love with them. Like, they did all the things that I love.

Tivi Jones (16:20.772)
Mm-hmm.

my god, that’s so cute.

I going to buy music and the physicality of CDs. In one of these closets, my God, I hope my uncle doesn’t watch this. I have one of his old CD packs that had all of these different, you remember those, like, y’all know what I’m talking about, the big CD packs.

Heather (16:35.372)
Right?

Karla (16:38.273)
No.

Heather (16:38.947)
Mm-hmm.

Heather (16:53.688)
Yeah, the little booklet.

Rajah (16:53.82)
Yeah.

Karla (16:53.965)
I just fished one out of my pairing storage unit yesterday. So yeah, I know you took it out.

Tivi Jones (16:58.373)
man. And if you add, I didn’t have this because we didn’t have money like that. But those CD changers in the car, we had to have like the…

Heather (16:59.372)
You

Karla (17:09.871)
with like the five CDs. Yeah, you could put five CDs. My mom had a boyfriend that gifted her one of those like, do you guys remember that like five tier CD players? That it was like one was the radio, other, yeah. So was like, there was like a whole sound system like that, that my mom’s boyfriend at some point gifted her. And I used to think like we were hip as hell because we had this like, what?

Rajah (17:22.15)
Mm-hmm.

Tivi Jones (17:22.425)
Hmm?

Heather (17:33.057)
wow.

Karla (17:39.183)
I don’t have to change the CD. It just goes to the next one.

Tivi Jones (17:41.465)
Mm-hmm.

Rajah (17:42.31)
futuristic.

Tivi Jones (17:44.3)
Yep.

Heather (17:45.75)
Nice. The really fancy ones, the shuffle would like switch between discs too. That’s when you would like really were fancy.

Karla (17:45.839)
Now.

Tivi Jones (17:47.501)
Yeah.

mhm. mhm. yeah.

Karla (17:50.775)
Yeah!

Karla (17:55.342)
Yeah, yeah. I had a ginormous, like, what’s it called? I don’t even know the name in Spanish. Speakers.

Tivi Jones (17:56.449)
Really, yeah, really fancy.

Heather (18:05.588)
All right, that is round one. It’s time for a message from our sponsor, but we don’t have one. So I’m going to share something that I love. This is a free ad for Chewy.

Rajah (18:06.524)
Mm-hmm.

Heather (18:20.428)
I’ve been using Chewy for so long. I love them so much. I keep telling people that they should use them. It is an online pet store and they have the best customer service. You may have heard about them sending flowers to customers who lost pets. I do know someone personally who got that. They also send…

birthday cards for your pets. And I swear, I swear they are handwritten. If you look like the letters are not consistent, you can’t see it on the video. They also randomly sent me a painting of my dog. Like, yeah, Chewy sent me this. Yeah, like there was no explanation. It just showed up in the mail one day.

Rajah (18:47.558)
Yeah.

Rajah (18:54.716)
Look at them.

Karla (18:56.718)
god. my god. I’ve always wondered.

Rajah (19:02.054)
That’s legit.

Karla (19:07.614)
my god, I would die.

Heather (19:07.672)
They’re like, love this company so much. Right?

Rajah (19:10.108)
Right.

Tivi Jones (19:10.201)
Talk about delight. I love that.

Karla (19:11.917)
Yeah, talk about amazing user experience. Good for

Heather (19:14.935)
Yep.

Tivi Jones (19:17.227)
Chewy

Rajah (19:18.106)
Really?

Heather (19:19.407)
Yeah, absolutely. Please sponsor us, that would be amazing.

Tivi Jones (19:22.031)
Roger working on one.

Rajah (19:23.484)
I’m working on one, yes.

Karla (19:24.847)
Do they ship when we receive?

Heather (19:27.62)
I don’t know. They might. We’ll have to look that up.

Karla (19:32.471)
I used to use chewy actually when I lived here, but now we’re gonna painting.

Heather (19:35.628)
nice well like yeah everything is on auto ship and i have so many pets that they’re probably like yeah that’s we should send her something i paid for that over many years

Tivi Jones (19:38.819)
You’re not a VIP like Heather.

Rajah (19:40.368)
You’re so cute.

Tivi Jones (19:46.277)
you

Karla (19:51.086)
Right.

Tivi Jones (19:52.973)
I love that.

Karla (19:54.063)
If I mistake, subscribe twice to a box for Milo’s birthday so he got double the birthday present.

Heather (19:54.261)
Alright.

Heather (19:59.669)
my love.

Rajah (20:01.263)
is not man.

Tivi Jones (20:03.033)
Good for him.

Heather (20:04.58)
All right, let’s get into round two.

Karla (20:04.781)
Yeah, not good for my wallet.

Tivi Jones (20:10.243)
you

Heather (20:13.25)
Here we go. This song is New Rules by Dua Lipa. It was released on Dua Lipa on Dua Lipa Limited in 2017.

Tivi Jones (20:14.224)
yes.

Karla (20:14.347)
Ooh, ooh, I love this song, love this song.

Rajah (20:15.876)
Mm-hmm, mm-hmm, mm-hmm.

Tivi Jones (20:27.493)
That’s me. That’s me. So I’m trying to like make the connection between like when I first heard the song and then also what this song means for me for first. So in terms of my life, when I first heard this song, I was going through a breakup and I actually heard this song, my ex and I, we were breaking up.

Heather (20:28.492)
Yes, Tivy, tell us about this.

Tivi Jones (20:54.035)
but we were trying to remain friends because we were friends before we got into a romantic relationship. And so this is one of the songs that we like would send to each other, like just like healthy boundaries in this world where we know we love and care for each other, but we are no longer going to be in a romantic relationship. So it’s very literal in that way. But then also when you think about

first and like starting over and doing new things, you have to have new rules. You can’t do the same thing that you’ve been doing and expect something different. So I really like the idea of like when you’re embracing first, when you’re moving forward, having some new rules. And sometimes you gotta like say the specific thing to yourself. Like in this song, you trying to get over somebody, don’t be under them.

Rajah (21:49.242)
Okay? Yeah. Yeah. That’s a great rule.

Tivi Jones (21:49.598)
cause it makes it a little bit horror.

Heather (21:49.731)
Mm-hmm.

Heather (21:58.147)
Yup.

Rajah (21:58.458)
Do not spin the block.

Tivi Jones (21:58.92)
that one right? Right do not!

Rajah (22:02.158)
This is fun.

Karla (22:05.647)
I mean, I don’t know, nothing gets somebody sweet on you that when you don’t want to get on the road. I know from experience.

Rajah (22:13.746)
I’m sorry.

Heather (22:15.221)
You

Tivi Jones (22:17.458)
It supplies so many levels. Plus it’s a good song, you know I like a bop.

Heather (22:19.661)
Mm-hmm.

Rajah (22:22.13)
Mm-hmm.

Heather (22:25.058)
This is an excellent bot. I think that’s important too, you know, having gone through divorce and knowing a lot of people who’ve gone through divorce, like, it’s tricky to navigate those changes sometimes.

Tivi Jones (22:38.782)
Mm-hmm. Yeah.

Karla (22:41.039)
I’ve never gone through divorce and I’m saying yeah.

Heather (22:43.844)
Well, I mean, yeah, it applies to breakups of all kinds, yeah. It applies to platonic relationships too.

Rajah (22:43.984)
Me too, me too, but I get breaking up, yeah.

Tivi Jones (22:45.34)
I mean, you get it. Y’all get it. Mm-hmm. Yeah.

Karla (22:46.967)
I get it, get it. I get it. Yeah.

Tivi Jones (22:53.394)
Yeah, it’s all change management. Like grief is change management, relationship, breakups are change management. You have to, the root of change management is change and doing something different. So you gotta have new rules.

Karla (22:54.179)
noun.

Heather (22:57.698)
Mm-hmm.

Karla (23:02.147)
Yeah.

Karla (23:06.819)
Yeah.

Yeah.

Heather (23:10.072)
Yeah.

Rajah (23:11.25)
and that end of that relationship, you learned something or some things, so… rules make sense for how you wanna not repeat that.

Tivi Jones (23:15.268)
Mm-hmm. Yep. Header, hopefully. Right. I hope so.

Heather (23:16.556)
Hopefully.

Karla (23:16.675)
Yeah.

Heather (23:20.9)
Ha

Karla (23:22.627)
Yeah, I mean, even if you don’t learn anything like about the person or because often we focus on like, I’m never doing that again. But that’s a good lesson, too. You know? Yeah. Or like, I never want to feel this way. Or now I know that’s not how I want to feel. And then when you feel that again, it’s a more, you know. I love this song.

Tivi Jones (23:31.806)
Mm-hmm. Yeah, that’s true.

Rajah (23:33.458)
Mm-hmm.

Heather (23:34.915)
Yeah.

Rajah (23:44.282)
exactly.

Tivi Jones (23:44.542)
Yeah.

Heather (23:44.69)
Yeah. This next song is Don’t Dream It’s Over by Isaiah Firebrace and Stan Walker. It was released on Deadly Hearts Walking Together on Australian Broadcasting Corp, 2020. Raj, tell us about this one.

Rajah (24:00.134)
It’s just a beautiful song I heard on TikTok. I was really caught by the vocals and the first language. Isaiah Fiebrace is a First Nations pop artist based in, I think, LA and from Australia. And of course, this is a cover of the 80s song from Crowded House. And just…

a beautiful message of don’t let the dream go. Even though this is also talking about the original song is about a breakup as well. And it’s like, even though it’s over between us, shouldn’t get you down to continue on. But I think this cover adds a whole new dimension in a different language. I just feel a little more warm.

from it and the pain a little bit of having to deal with the change that you don’t necessarily want and kind of wanting to give up but also thinking about what tippy was talking about earlier with being an entrepreneur and getting to that point where it’s like this is difficult and deciding which way to go and it’s like

Tivi Jones (25:24.894)
Okay.

Rajah (25:29.722)
Your dream doesn’t have to end, can just shift. So even thinking about what that looks like in this song really helps me reflect on things like that. How can I change it so that I can still continue with the dream? The dream can still be the same, but how you get there will be varied. There will be obstacles. You might have to drop somebody off along the way.

Tivi Jones (25:33.725)
Mm-hmm.

Tivi Jones (25:46.462)
you

Tivi Jones (25:56.187)
and

Rajah (25:59.77)
It’s not over until you want it to be. I think that’s just powerful. And I think we were saying earlier too, like there’s so much you can learn from pain or things that you don’t want to go through. But it also is a way for you to, like Carla was saying, learn what you don’t want. And I think that’s a beautiful version. It just sounds lovely.

Tivi Jones (26:03.815)
Mm-hmm.

Tivi Jones (26:20.636)
Mm-hmm.

Heather (26:30.616)
This is beautiful song.

Tivi Jones (26:32.881)
It is.

Rajah (26:36.785)
I love when the covers are just as good as the original.

Karla (26:40.303)
Yeah. Or sometimes, I don’t know, this happens to me a lot with covers where the cover gives me a new perspective of the song. I am not before. Yeah. That happens to me with this cover of Hit Me Baby One More Time by Travis. Like, it hits me differently.

Heather (26:41.458)
Yep.

Tivi Jones (26:41.478)
Mm-hmm.

Rajah (26:48.454)
I see.

Tivi Jones (26:49.19)
Yeah. Mm-hmm. It’s like…

Heather (26:56.593)
Ha!

Rajah (26:57.281)
Ugh.

Heather (26:59.975)
Yeah.

Tivi Jones (27:01.128)
You had to send me that one.

Rajah (27:02.321)
Yeah, we need that.

Heather (27:02.822)
huh.

Tivi Jones (27:04.316)
Sometimes it like adds a different texture to it, right? It’s just, it’s not like better or, I mean, sometimes it might be like the texture just gives it a little extra.

Rajah (27:07.996)
Mm-hmm.

Heather (27:08.263)
Mm.

Karla (27:08.579)
No.

Karla (27:15.008)
And.

Rajah (27:15.528)
Yes.

Karla (27:19.961)
for sure.

Heather (27:20.381)
Alright, this next song is Corazon Partio by Alejandro Sanz. It was released en mass on Warner Music in 1997. Carla, tell us about this one.

Karla (27:32.601)
So I didn’t realize we had so many breakup songs in this list. But when I picked this song, I was thinking about the first song that I ever learned by heart that wasn’t a lullaby or something. And it was this song by Alejandro Sanz, which is called Corazón Partido, which literally means broken heart. And then he’s, this song like,

Tivi Jones (27:39.282)
Hahaha

Karla (28:01.235)
skyrocketed Alejandro Sanz fame like really, really did. But you know, it has like the song starts with like, know, tiritas parte corazón, which basically like band aids for this broken heart, you know. And then he has this part that says like, ya lo se que corazón que no es corazón que no siente corazón que no siente amor, which is like, now I know that like, you know, like when you don’t see, you know, like

Heather (28:17.469)
Well…

Karla (28:29.743)
out of sight, out of mind, but I used to have all of these illusions of what we should have lived. And so he’s like, so why did you come into my life when I was in pain and healed me and then now you leave me again with a broken heart? Yeah, and then the chorus, yeah, it’s a really pretty song.

Tivi Jones (28:32.178)
you

Tivi Jones (28:52.19)
Mmmmm

Karla (28:58.669)
So, know, like, it’s just a really beautiful song in general. And it has a lot of elements of like, has like the Spanish guitar, because he’s a Spanish singer from Andalucía. But it also has that like pop element. And then has like a little bit of Italian pop in it, because the producer was Italian. Like, band-aid’s for this broken.

Tivi Jones (29:18.174)
No.

Tivi Jones (29:24.766)
Mmm.

Karla (29:28.399)
But I think it’s like one of those songs that like whenever I listen to it, it brings me back to my childhood. And this is also a beautiful part of the lyrics, right? Like, like that’s all I meant to get the sober, I’m go and get some more like giving only like what you have extra is not sharing. It’s just a charity, you know.

Heather (29:29.639)
You

Tivi Jones (29:37.84)
Yeah.

Karla (29:54.659)
So like, and then he also goes and says that like, after this person, there’s nothing. And I feel like when we’re going through pain or when we’re going through like grief or we’re in a breakup, you know, it feels like what better than what’s happening or what I had is coming. Like it’s impossible to see a future because you’re in that grief. And at least for me, what I have learned, and I think this is like,

Tivi Jones (29:54.961)
you

Tivi Jones (30:12.744)
Mm-hmm. Mm-hmm.

Tivi Jones (30:17.213)
Yeah.

Karla (30:21.871)
what has been a very important part of my healing process is that I don’t have to think about what’s next. Like I just have to think about like I have to honor that pain and if I’m feeling it, if I’m feeling that grief, it’s all of that unexplored love that I have, but that lives inside of me. You know, and I think like when I, I hate it when like you’re going through something and somebody’s like, it’s doing it better.

Tivi Jones (30:32.542)
Mm-hmm.

Karla (30:48.803)
like someone else is gonna come along it’s like I don’t care if someone else is coming along like this is where I am now like people are not disposable like feelings are not disposable like just let me feel this just be like yeah girl cry it out like I’m gonna bring some wine and we’re gonna cry until you can’t cry anymore and then like tomorrow’s another day like I think that’s better advice for when you have a broken heart

Tivi Jones (30:56.062)
and

you

Heather (31:03.975)
You

Tivi Jones (31:04.346)
Let it out. Mm-hmm.

Tivi Jones (31:13.47)
you

Heather (31:15.089)
Yeah, you gotta feel the feelings to get through them.

Tivi Jones (31:18.846)
True, very true. I will say I’m the friend that’s like, we riding out, like who we gotta go see? Like, do we gotta marry everybody?

Karla (31:18.925)
Yeah. Yeah.

Heather (31:31.517)
Yeah, I’m the friend that says, can we burn? You’re going to process this. Let’s do it.

Tivi Jones (31:35.933)
No.

Karla (31:38.254)
Yeah.

Tivi Jones (31:39.452)
you

Karla (31:41.807)
I think I had a very long relationship where a lot of things happened in seven years where there was a lot of cheating and a lot of pain and lot of stuff. And then when I was finally done and thought it was all done and thought this person really didn’t care about me, we had a year apart where we really were just friends. Friends? But really friends. I was friends.

Tivi Jones (32:10.462)
Mm-hmm.

Karla (32:11.181)
He was not in the friend, but I learned a lot to transform like the way that I saw my relationship and the things that were happening and that I was also happening to that person. Like that person wasn’t just happening to me. And I think for me that has completely transformed like the breakup process and like the moment of silence. And I feel like sometimes like sometimes it’s not our time with people in that moment.

Tivi Jones (32:21.906)
Mm-hmm.

Rajah (32:27.105)
Bye.

Tivi Jones (32:39.175)
Yeah.

Karla (32:39.809)
It doesn’t mean that’s not your person. Sometimes it’s just not your time. You know?

Tivi Jones (32:42.364)
Yeah, yeah, that’s so true. Yeah, and I always tell myself, at least of late, like anything that I felt with this person, not to be rude, because I have some really amazing exes, but anything that I felt with this person is because I chose to feel those feelings, not because they’re the only person that I can feel this for. So that helps me like separate a little bit.

Karla (33:00.984)
Yeah.

Karla (33:04.536)
Yeah.

Yeah, I love the song.

Heather (33:07.611)
Yeah.

Okay, this next song is You Should See Me in a Crown by Billie Eilish. It was released on When We All Fall Asleep, Where Do We Go? on Darkroom Interscope Records in 2019. So I assume everyone knows who Billie Eilish is. She’s huge the last few years. So this was the first song that I was exposed to from her. It was actually like a targeted ad on YouTube.

So she had started to get, you know, get a following, I think more on like the California side of the country. I don’t think anyone I knew knew who she was yet. But I feel like things come to my circle rather slowly. And this music video I adore. So it’s her, pretty much just her the entire video and you know, she has crown and stuff, but.

There are spiders crawling all over her, like big tarantulas. And she apparently was very adamant that it needed to be practical effects, that she did not want CG of any kind. like, mad respect for her for doing this. Yes, she is, yes. And also, what I also love about it, like when I show people, like especially like men I worked with, like they were really creeped out by it and that made me really happy.

Tivi Jones (34:17.916)
she a G!

Rajah (34:18.848)
Really?

Tivi Jones (34:31.39)
I know that’s right Heather.

Rajah (34:40.041)
I’ll do it again.

Heather (34:40.135)
I think what I really love about her earlier music is that there are lot of really dark themes in it, but the music is still very like kind of elegant and captivating and I like that combination.

Tivi Jones (34:40.83)
Thank you.

Rajah (34:46.785)
Mm-hmm.

Karla (34:47.779)
Yeah.

Karla (34:56.879)
Yeah. Her voice is always so like, for me, it’s like either it can be really soothing, but also in like an eerie way, sort of. Like I remember I used to, when I lived in the Dominican Republic, I used to have these like, used to call them like Uranus Day, like no, Neptune Nights, where I would just like Neptune out, you know, like I would just let

Tivi Jones (34:57.372)
Mmm.

Heather (35:06.652)
Mm-hmm.

Tivi Jones (35:10.376)
Mm-hmm. Mm-hmm.

Heather (35:10.396)
Mm-hmm.

Karla (35:25.261)
the spicy energy come into my apartment and like I would dance and like listen to music. And like a lot of those playlists had a lot of Billie Eilish because I feel like she has that like siren effect to her where she can be like very inviting but also be creepy if she wants to be. Yeah.

Heather (35:31.643)
Nice.

Tivi Jones (35:40.926)
you

Heather (35:43.099)
Mm-hmm. Yes. I love it.

Tivi Jones (35:46.246)
Yes, siren effect, yeah.

Rajah (35:48.095)
Yes, that room is where it came into mine.

Karla (35:48.857)
Yeah.

Tivi Jones (35:51.614)
That’s really good. I need to give Bailey more spins. Like, I don’t have, I maybe have one song in my library, but I love a haunting energy, so.

Rajah (35:54.945)
Mm-hmm.

Heather (35:55.559)
Mm-hmm.

Heather (35:59.295)
only one?

Yeah, listen to this album. There’s a lot of good stuff on it.

Karla (36:03.339)
Yeah. Yeah. Yeah, this is the album that I don’t want to be you anymore isn’t right? I don’t wanna be you. Yeah, I think so.

Tivi Jones (36:07.974)
We’ll do.

Heather (36:14.711)
I think so.

Heather (36:20.037)
I think so. I mix things up a lot, so maybe check it. All right. Now it’s time for a note about production. Discourse is produced in partnership with Hey Awesome Girl, a full-service marketing and creative studio on a mission to help female entrepreneurs build and grow companies that empower their lives, become a part of their awesome community by visiting heyawesomegirl.com slash grow. And of course, that is run by Tivi.

Tivi Jones (36:50.236)
That’s why I’m here. The weakest link. y’all asleep? Yes, ma’am. Yes, Raja.

Heather (36:54.345)
absolutely not. The linchpin. The linchpin.

Karla (36:55.023)
No, not at all. Lord.

Rajah (36:57.646)
Uh-uh. We can cut that out.

Karla (37:01.839)
Please edit that out. Cut that out. Cut that in the part where you’re like, I’m terrible at doing this hosting thing.

Tivi Jones (37:13.128)
We should keep that in.

Rajah (37:14.081)
Thank

Karla (37:14.447)
I’m

Heather (37:16.807)
All right, all right, let’s get into round three.

Karla (37:21.547)
okay.

Heather (37:21.741)
This track is Entrepreneur by Pharoah Williams and Jay-Z. It was released as a single on Calypio Records in 2020. Tiffy, tell us about this one.

Rajah (37:25.953)
So, thank

Tivi Jones (37:32.954)
Okay, I gotta end on a high note. And I’m an entrepreneur. okay, making the connection between my first and this in terms of first. First time I heard this was in 2020. And I actually think I saw the video of this, like the first time I heard the song. And the video featured a lot of people that I admire, some people that I know, and it just…

showed them as entrepreneurs and like taking leaps and big firsts in their lives. So a connection I have, he had bought this old historic home and was restoring it. He now has a show out, I think on HBO Max about the restoration of that home. He’s an openly gay black man in the creative entrepreneurship industry. Featured Issa Rae.

I mean, obviously with Pharrell and Jay-Z, like really prominent musicians and entrepreneurs and just ahead of their time in many, many ways. So yeah, like the lyrics about risking it all, you gotta let go, if you wanna fly, you gotta take the leap, you gotta risk it all. Like these are for like, and not that you have to like literally risk it all, but sometimes when you’re starting something new,

feels like such a big thing. It feels like such a big risk. So just getting through those emotions. And as an entrepreneur, I feel it every day of my life, like this scary journey of like being the ultimate decision maker, being responsible for not just myself and my company, but the people who depend on me. there’s just, it’s a lot of first energy.

Karla (39:25.005)
Yeah.

Heather (39:25.308)
Ha

Tivi Jones (39:26.606)
And that, and to be honest, as a black woman, I really appreciate the message towards black men. I’m not a person that thinks everything is for me. I think we as a country need to come to terms with that, especially a country that is so diverse. Like let people have what they have and you can still celebrate it. I still rep this song hard.

And it is specifically saying Black man, Black man, Black man. Like I go hard for the people I care about. Black men, white men, white women, Latinas, Latinos. Like everybody in my circle, like there’s a way that you can still celebrate people and not feel like things are always about you. So I know there was a lot of messages in there, but these are all the things that this song makes me think about. And keep me second to you, stalking for yourself. Sorry, I was singing the lyrics.

Karla (40:05.869)
Yeah.

Karla (40:16.559)
But also like being the first, so sorry. Sorry, sorry, No, what I was gonna say is that like also like being the first to ever do something is very scary, because I could either, you can either have a lot of support or you could also have a lot of people that like, you are insane. Like, what do you mean that you are taking all these risks and, you know.

Heather (40:22.086)
Hahaha

Tivi Jones (40:33.022)
Mm-hmm.

Karla (40:41.599)
getting into debt or you know and as a thing as an entrepreneur there’s a lot of like leaps of faith that happen where you’re just like I don’t know if I’m going to be able to like take this on but I’m going to figure it out and I’m going to trust that I will be able to like and that like I remember like the first year of my first year of entrepreneurship I like was so final legit like I was like what did I do

Tivi Jones (40:43.464)
Mm-hmm.

Tivi Jones (40:48.968)
Mm-hmm. Mm-hmm.

Tivi Jones (40:56.166)
Yep. Yeah.

Tivi Jones (41:08.728)
Mm-hmm. I understand. Yeah. It’s like, fuck, why did I do this? I mean, and just to kind of speak from a cultural perspective, like me as a black woman, like, my family doesn’t have a long history of financial sustainability, right? Like, I come from the legacy of slavery. And so to step outside and do something explicitly on my own is a big first, to your point, Carla.

Heather (41:09.117)
Hmm.

Karla (41:12.641)
Yeah. Yeah. Yeah.

Karla (41:38.499)
Yeah, for sure. Kudos to you.

Rajah (41:43.195)
Yes.

Heather (41:43.963)
This next song is How Many Miles by is it McGee? that how you pronounce it? MKG? Okay, that could be it too. One of those. It was released on Two Star and The Dream Place on R &R Digital in 2024. Raj, tell us about this one.

Rajah (41:49.318)
I was just saying, in case you… That’s what I was saying.

Rajah (42:03.718)
Another TikTok find, I really just love the way it sounds. It reminds me of just the nostalgia type of sound or like when you cut on a TV, to kind of say, but it’s not loud. Or just when you cut on an electronic device. So the synth in the background and also the vocals.

But the messaging behind the song is really what got me thinking about when you leave your hometown for the first time. for me, I’m definitely big on, you know, being proud of where you come from, whether it’s a small town, big town. But leaving your town, I think is important for growth. Even if you stay where you’re from, traveling, going out, people, trying new things.

I think it’s a big part of that personal growth and also changing your perspective on the world and yourself. And the song represents that for me. And the lyrics and just the sound and the vibe makes me think of being on the road or on a plane or a train. Just traveling. How many miles are you willing to go to find yourself?

Heather (43:28.581)
Yeah, I like that.

Karla (43:30.275)
this.

Tivi Jones (43:30.323)
Mm-hmm. It’s so vibey,

Rajah (43:33.752)
Mm-hmm.

Karla (43:36.578)
Yeah.

Tivi Jones (43:36.681)
It almost reminds me, and you may have, I feel like this is kind of loose to what you were saying. it, you know those like lo-fi playlists, like when you just like working, working, working, but it’s like good work music, but it’s also chill.

Rajah (43:44.63)
Yeah, yeah.

Rajah (43:49.336)
Mm-hmm. Exactly.

Karla (43:51.022)
Yeah.

Heather (43:51.195)
you

Heather (43:59.095)
Alright, this next song coming up is First Love by Adele. It was released on 19 on XL Recording Limited in 2008. Carla, tell us about this one.

Karla (44:09.431)
I actually first heard this song when I was in ballet. We used to use it because it has like that piano ballad that she’s so good at. But I feel like it’s such a good breakup song. And you know, she’s breaking up with someone, not the other way around, which is usually her, her MO. But I always really love the song because I think like when you’re getting broken up, I…

of the people that prefer getting broken up with, I at this point in my life, I think it’s easier to be the one that breaks, that gets broken up with than the one that breaks up. At least for me, Timmy, because like the ball’s not on my court. Like I just gotta heal. But whenever like I feel like if you really care about someone and you’re breaking up, like you know you have to

Tivi Jones (44:57.367)
All right.

Karla (45:02.822)
do that emotional part of like watching that person. Obviously it depends on the person like if the person was shitty. But I feel like if it’s someone that you really love but their relationship has just run its course and it’s time to end and I mean, doesn’t have to be a love person. It could be a person you work with or a friendship, you know, like it’s like sometimes relationships run their course and not necessarily everybody did their thing but

There’s a line I really love which is like things coming up and says you know like this love has dried up and stayed behind.

I’ll let her say it.

Tivi Jones (45:44.609)
boys.

Heather (45:45.632)
Mm-hmm.

Karla (46:00.911)
So I love that, because like, yeah, I could stay and like, yeah, I’ll live, but I won’t be like fully alive, you know? And I think a lot of people stay in relationships because they’re afraid of hurting the person, because they’re afraid of going through the fricking terrible pain of breaking up and changing. But I think it’s it’s super important. I think like first love, because so many of us are not with our first loves, like so much of our first loves like have fizzled out.

Tivi Jones (46:08.087)
Yeah.

Tivi Jones (46:19.287)
Yeah.

Tivi Jones (46:29.911)
Thank God.

Karla (46:31.567)
Yeah.

Heather (46:31.653)
Mm-hmm.

Tivi Jones (46:33.847)
Yeah, no, you’re right. I feel like in relationships, like being as Glorilla says, I don’t get left on my lever. But in like friendships, working relationships, I would rather be broken. Like I don’t wanna get to the point where I have to break up like in like a friendship or a work relationship. You let me when you’re ready to go, let me know.

Heather (46:37.01)
I think also.

Heather (46:58.1)
Yeah, I think a lot of people feel that way because like you have to choose to completely change the whole environment involved in that. Like that’s a lot of work. It’s easier to stay where you are. Yeah. Even when it’s bad. All right. This next song is I’ll Make a Man Out of You by Peyton Parrish. Of course, the original is from Mulan.

Tivi Jones (47:07.083)
Mm-hmm. Mm-hmm. Yes.

Rajah (47:08.638)
It’s uncomfortable.

Karla (47:11.245)
Yeah. Yeah.

Heather (47:24.726)
It was released as a single on Noise Machine in 2021. So a lot of people probably hate these, but I love when people do Disney covers and release it on social media. Because, you know, I just grew up on Disney and I love all of these songs. So this is kind of like a metal version of…

a great song from Disney. I loved Mulan. I think I was a teenager when it came out, but I still, like it gripped me.

Karla (47:49.987)
Yes.

Tivi Jones (47:51.095)
Mm-hmm.

Karla (47:58.414)
Yeah.

Tivi Jones (47:58.807)
Mm-hmm.

Heather (48:01.862)
So, you know, I really like this one. Also, I picked this as a first. Well, it’s the first song I heard covered by Peyton Parrish, so that brought him on my radar. But also, this song connects to another first for me. When I finally did lose my virginity, it was while I was watching Mulan.

Karla (48:29.079)
Okay, wow, the winner of this week’s podcast is Heather. Wow.

Tivi Jones (48:32.535)
Okay, you win, yeah, you win. First of all, I’m only laughing because I was thinking like over here and you went like way over there.

Rajah (48:34.192)
Yeah, yeah.

Heather (48:38.688)
There you go.

Heather (48:43.068)
Yeah? Yeah. Yep.

Rajah (48:44.28)
Yes, heart turn.

Karla (48:45.023)
Yeah. Good to know we’re ending on a high note.

Tivi Jones (48:50.894)
I will always think of you when I watch Mulan now, Heather.

Heather (48:54.102)
thank you. I should have I should have prefaced that with a disclaimer for my parents.

Karla (48:55.855)
I mean

Rajah (48:58.172)
Wow.

Heather (49:03.722)
Sorry, mom and dad, now you know something you never wanted to know.

Tivi Jones (49:04.695)
They’re gonna be like, wait a minute. She said she was Masha Mulan with such and such.

Karla (49:04.758)
First episode!

Rajah (49:07.63)
Now you know.

Karla (49:10.92)
That’s why it was so loud!

That’s why you kept going back to who is that girl I see staring back right at me. Mushu! Was that Mushu really?

Rajah (49:15.47)
We’re coming in hot.

Tivi Jones (49:29.91)
Sha-

Karla (49:30.126)
Mmm.

Heather (49:31.25)
So there you go.

Karla (49:32.854)
By clattering!

Tivi Jones (49:33.213)
and see you on Discourse.

Heather (49:36.595)
I mean, you know.

Karla (49:39.075)
This chorus just became a cansonquitao.

Heather (49:41.258)
See ya.

Karla (49:46.243)
Well, I mean, I got no words after that, Heather. That’s it. That takes it all.

Rajah (49:49.562)
Yeah.

Heather (49:51.088)
Yep. Yep.

Tivi Jones (49:51.223)
I mean, I guess you made a man out of whoever it was, so.

Heather (50:00.096)
Right.

Tivi Jones (50:00.821)
I’ll be here all night.

Karla (50:01.295)
There you go.

You need that needs to become a clip.

Heather (50:07.741)
Yeah.

Rajah (50:08.058)
It happened to

Karla (50:10.927)
my god, I’ve smiled so much my darbs.

Tivi Jones (50:13.093)
I know.

Heather (50:16.367)
Well, that is our episode. It was pretty fantastic to hang out with all three of you this week. I will crown myself the winner because I need it.

Tivi Jones (50:23.489)
Yes.

Rajah (50:26.393)
Yes.

Tivi Jones (50:26.581)
You win. Yup, you win. Yeah, you win. Yeah, it was. One of those fancy slam dunk too when they like go under the leg and like.

Rajah (50:29.368)
You win.

Karla (50:29.795)
You definitely win!

Heather (50:31.85)
Hahaha

Rajah (50:32.983)
If the yes means yes.

Karla (50:33.231)
That was a slam dunk.

Heather (50:36.118)
All right, excellent. Yes.

Karla (50:40.781)
And then I’m

Heather (50:41.278)
Alley-oop! Alley-oop! All right. All right, well, a huge thank you to my co-hosts for believing in my vision. Y’all really are amazing. And Tivi, thank you for joining and supporting us. I’m sorry you didn’t win, but you know, maybe next time. Where can people find you online?

Tivi Jones (50:43.895)
man.

Karla (50:44.214)
Exactly, exactly.

Tivi Jones (51:00.225)
I never win, that’s fine.

my gosh, so you can find Hey Awesome Girl on all the socials. are @heyawesomegirls with an S. And you can find me personally, I’m at @tivijones, T-I-V-I-J-O-N-E-S on all the socials as well.

Heather (51:21.34)
Excellent. We will be back with another episode every week, so be sure to hit subscribe. You can follow us on various platforms at @disccoursepodcast. That’s Disc Course with Two C’s. And of course, find the playlist on Spotify and Tidal. You have been a wonderful audience. Good night.

Karla (51:39.449)
Good night.

Coming Soon!

Season One

Welcome to Disc Course

Coming Soon!

Music can pull you back to a distant memory or persuade you to see things from a new perspective. It can make you laugh, cry, or scream for a thousand different reasons. Music opens the door to discourse of every kind, and we’re excited to explore it all with you!

Disc Course brings three recurring hosts and one special guest together to create a collaborative playlist based on a common theme. Each song becomes a platform for discussion as contributors share their fondest memories, passionate opinions, and intimate associations with the track. 

Join us as we explore the power of music through a personal lens. There’s no telling where the conversation will take us, but we know it’ll have a spectacular soundtrack.

the Crew

Heather Dollar

Heather

A lifelong weirdo, Heather never seemed to share a taste in music with her friends. She started Disc Course to find folks who appreciate her recommendations. Her credentials include more than a decade in television production and countless nights at dive bar concerts.

You can follow Heather on social media as The Mad Dollar, artist and maker of whatever piqued her interest lately.

Rajah Satterwhite

Rajah

Podcaster, marketing whizz, and eternal optimist, Rajah finds comfort and motivation through music. Her sunny disposition and uplifting spirit always lend a little brightness to the room. Though her taste in music is eclectic, she delights in sharing her latest discoveries with friends and family.

Drawing from over six years of creative freelancing, Rajah combines her passion for music with her skills in art, communication, and marketing to make a positive impact in supporting mission-driven businesses.

You can follow and subscribe to Rajah’s other podcast, Talking Brown Sugar, on Spotify and TikTok.

Karla Montalván

Karla

Columnist, sex therapist, and foodie, Karla is always in the mood for adventure (with a killer soundtrack). Her latin heritage and penchant for spicy anecdotes bring a little heat to every conversation.

You can find more from Karla on her substack, Detrás de Kama, where she breaks down taboos around sex.

Tivi Jones

Tivi

Founder and CEO of marketing and creative studio, Hey Awesome Girl, Tivi does more than just inspire other entrepreneurs. Disc Course is the inaugural release of Awesome You Ventures, an initiative designed to help creatives launch new projects. Tivi is an active partner behind the scenes and occasional guest on the show.

Follow Tivi and Hey Awesome Girl on social for more inspirational projects and entrepreneurial content.

the Guest

guests

Interested in being a guest?

Drop us a line and tell us why you should be on the show! Be sure to share your music taste and social media links.

the Set List

Heather's picks
Rajah's Picks
Karla's picks
Tivi's Picks

Stream the final playlist for each episode on Spotify or Tidal.

the Promo

Now streaming:

Want to hear it first?

Sign up for our newsletter to get early access to every episode.

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the Transcript

[Heather] Do you want to talk about music? I’m Heather, this is Rajah and Karla.

[Rajah] Hey there!

[Karla] ¡Hola!

[Heather] We’re talking to music lovers and music makers about the songs they love.

[Rajah] Music opens the door to conversations about anything and everything.

[Karla] We’re excited to share our favorite tracks while exploring the personal, the political, and the intellectual.

[Heather] Join us for Disc Course wherever you stream your podcasts.